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Theses/Dissertations from 2013

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Peripheral Humor, Critical Realism: Latin American Film Comedy, 1930-1960, Nilo Fernando Couret

Theses/Dissertations from 2012

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The circus: a city symphony, Seth Jordan Camillo

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Mediating the mill: steel production in film, Sara Anne Gooch

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Nature, nation and the global in contemporary Norwegian cinema, Sabine Brigitte Henlin-Stromme

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A revived life in a reviving culture: the Chinese reception of Byron in the short story magazine in 1924, Zheng He

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Colonial subjectivity: an evolving legacy in Ousmane Sembène's La noire de...(1965), Michael Haneke's Caché (2005), and Claire Denis' White material (2009), Veronica Jordan-Sardi

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Identifying high value customers in a social network: individual characteristics vs. social influence, Sang Uk Jung

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The origin of Korean Trauerspiel: Gwangju, stasis, justice, Yung Bin Kwak

Theses/Dissertations from 2011

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Taiwan Xiangtu writer Huang Chunming: three short stories, with a critical introduction, Willy Chenja Du

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At home in estranged dreams: contemporary Hollywood and the uncanny, Kevin Patrick McDonald

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Blue white green, Kayla Seo Peifer

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Elective affinities: the films of Daniele Huillet and Jean-Marie Straub, Claudia Alexandra Pummer

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An island off the coast of America: New York City symphonies as productions of space and narrative, Erica Hillary Stein

Theses/Dissertations from 2010

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Usage of books in domestic space in Colette's La Maison de Claudine and other writings, Lauren Elaine Clark

Tamil cinema and the major Madras studios (1940-57), Swarnavel Eswaran Pillai

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The phantom returns: on Lilian Lee's three supernatural stories, Min Gan

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Tales of self empowerment: reconnoitering women's Tanci in late imperial and early twentieth-century China, Li Guo

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From ekphrasis and the fantastic to commodity fetishism in the Roman de Thebes and Chretien de Troyes' Erec et Enide, Sonja Nicole Mayrhofer

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The popular musical biopic in the post-studio era: four approaches to an overlooked film genre, Jesse Keith Schlotterbeck

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Japanese literature as world literature: visceral engagement in the writings of Tawada Yoko and Shono Yoriko , Robin Leah Tierney

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History, narrative, and trauma: writing war crimes in Chang-rae Lee's A Gesture life, Ying-bei Wang

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"Hoisting one's own banner:" self-inscription in lyric poetry by three women writers of late imperial China, Haihong Yang

Theses/Dissertations from 2009

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Moving cinema: Bolivia's Ukamau and European political film, 1966-1989, Dennis Joseph Hanlon

Theses/Dissertations from 2008

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No animals were harmed: a translation of Jean-Michel Ribes's Theatre sans animaux, Brooke Sparrow Budy

Theses/Dissertations from 2007

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Culture and authenticity: the discursive space of Japanese detective fiction and the formation of the national imaginary, Satomi Saito

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The race with class: towards a materialist methodology for race in film studies, Gerald Sianghwa Sim