Theses/Dissertations from 2012
Mediating the mill: steel production in film, Sara Anne Gooch
Nature, nation and the global in contemporary Norwegian cinema, Sabine Brigitte Henlin-Stromme
Colonial subjectivity: an evolving legacy in Ousmane Sembène's La noire de...(1965), Michael Haneke's Caché (2005), and Claire Denis' White material (2009), Veronica Jordan-Sardi
Identifying high value customers in a social network: individual characteristics vs. social influence, Sang Uk Jung
Theses/Dissertations from 2011
At home in estranged dreams: contemporary Hollywood and the uncanny, Kevin Patrick McDonald
Elective affinities: the films of Daniele Huillet and Jean-Marie Straub, Claudia Alexandra Pummer
An island off the coast of America: New York City symphonies as productions of space and narrative, Erica Hillary Stein
Theses/Dissertations from 2010
Usage of books in domestic space in Colette's La Maison de Claudine and other writings, Lauren Elaine Clark
Tamil cinema and the major Madras studios (1940-57), Swarnavel Eswaran Pillai
The phantom returns: on Lilian Lee's three supernatural stories, Min Gan
From ekphrasis and the fantastic to commodity fetishism in the Roman de Thebes and Chretien de Troyes' Erec et Enide, Sonja Nicole Mayrhofer
The popular musical biopic in the post-studio era: four approaches to an overlooked film genre, Jesse Keith Schlotterbeck
Japanese literature as world literature: visceral engagement in the writings of Tawada Yoko and Shono Yoriko , Robin Leah Tierney
History, narrative, and trauma: writing war crimes in Chang-rae Lee's A Gesture life, Ying-bei Wang
"Hoisting one's own banner:" self-inscription in lyric poetry by three women writers of late imperial China, Haihong Yang
Theses/Dissertations from 2009
Moving cinema: Bolivia's Ukamau and European political film, 1966-1989, Dennis Joseph Hanlon
Theses/Dissertations from 2008
No animals were harmed: a translation of Jean-Michel Ribes's Theatre sans animaux, Brooke Sparrow Budy
Theses/Dissertations from 2007
Culture and authenticity: the discursive space of Japanese detective fiction and the formation of the natrional imaginary, Satomi Saito
The race with class: towards a materialist methodology for race in film studies, Gerald Sianghwa Sim