Theses/Dissertations from 2012
The legacy of J#243;zsef Gát on piano performance and pedagogy, Brandon Roger Bascom
Noel Coward : a voice teacher's perspective, Melinda Anne Benson
The percussion ensemble music of Robert Moran, Lucas James Bernier
Visual storytelling through costume design, Brittany Dee Bodley
Graduate costume design, Lisa Kay Borton
Usurper, Ryan Jay Cole
New Orleans brass band traditions and popular music : elements of style in the music of mama digdown's brass band and youngblood brass band, Matthew Thomas Driscoll
Acting as a life : "What am I doing?", Andres Ray Enriquez
Developing musicianship from the podium : adapting the Theory of multiple intelligences to the instrumental rehearsal, Christopher Herbert Fashun
Music for flute and piano and a script for violinist, Jason M. Gregory
Post-Apartheid South African choral music: an analysis of integrated musical styles with specific examples by contemporary South African composers, Allyss Angela Haecker
The Tarab trombone: trombone etudes and solos based on Arabic music, Arthur John Haecker IV
A piece of the exotic: virtuosic violin compositions and national identity, Gabrielle Annora Harvey
A production book and critical response for: Lady M, Matt Hawkins
The overture to George Frederick Bristow's Rip Van Winkle: a critical edition, Kira Lynn Horel
Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies, Shu-Hao Hsu
Rediscovering Ferdinand David's violin pedagogy through his Violinschule and zur Violinschule, Cameo Jong
Realized works in costume design, Mia Tamar Khayat
Federico Mompou: a style analysis of thirty-five songs, Lynell Joy Kruckeberg
The sound that sells: the musical and improvisatory practices of the American auctioneer, Nicole Edwards Malley
Important works for drum set as a multiple percussion instrument, Kevin Arthur Nichols
Bands at The University of Iowa from 1880 to 2008: their development, directors, repertoire, and the 1966 historic tour of Western Europe and the Soviet Union., Larry Jens Petersen Jr.
Intimations, Stephanie Gerette Pieczynski
A performance guide to two fairy tales of Nickolai Medtner, Jonathan Paul Tauscheck
Graduate designs, Jennifer Lynn Tillapaugh
Art songs for tenor : a pedagogical analysis of art songs for the tenor voice, Adam Michael Webb
Training the communicative recitalist: exercises inspired by Sanford Meisner's repetition exercise, Bryce Matthew Weber
Historical performance practice in cadenzas for Mozart's concerto for bassoon, K. 191 (186e), Sarah Anne Wildey
Mirage of the mountains, Zachariah Walter Zubow
Theses/Dissertations from 2011
Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág, Jonathan Sayre Allen
Women in percussion: the emergence of women as professional percussionists in the United States, 1930-present, Meghan Georgina Aube
The orchestral elements in Franz Schubert's Wanderer fantasy-with implications for piano performance, Liang-Fang Chang
Key symbolism in Francesco Cavalli's arias, Francesco Dalla Vecchia
In violent silence, Anthony J. Donofrio
Music therapy support groups for cancer patients and caregivers, Abbey Lynn Dvorak
Julius Eastman's 1980 residency at Northwestern University, Andrew Hanson-Dvoracek
Stylistic development in the choral music of Rebecca Clarke, Marin Ruth Tollefson Jacobson
Analytical and pedagogical approach to the Sonatine for piano by Donald Martin Jenni, Jikyung Kam
The revival of a waning moon, Minpyo Kim
A profile of Viennese society: an interpretative guide to Erich W. Korngold's second piano sonata and Artur Schnabel's sonata for piano, Daniel Jacob Kubus
Application of principles from motor-learning theory to the studio voice lesson: effects of feedback frequency on retention of classical singing technique, Lynn Milo Maxfield
Darius Milhaud's La Création du Monde: the conductor's guide to performance, Robert Ward Miller
Japanese piano sonatas: a discussion and performance guide, Kazuo Murakami
Landless, Andrew P. Saito
Wilhelm Bernhard Molique's Concerto for violoncello, o45: a historical and practical study, Laura Beth Shaw
Set in motion, Christopher Greg Shortway
Misalliance: a stage manager's process, Rebecca Joan Simons
The new American song: a catalog of published songs by 25 living American composers, Sarah Elizabeth Snydacker
Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano, Joshua Ketring Thompson
Richard stoltzman: defying categorization, Amy Alizabeth Turnbull
A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier, Tara Diane Warfield
"Peopled with invisible presences": Oxford and the Tudor revival, ca. 1890-1939, Laura J. Wiebe
State classical solo contest repertoire lists: an exploratory study and comprehensive list of recommended intermediate alto saxophone compositions, Jane Rochelle Williams
The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: a performance guide, Jacqueline May Wilson
The art of accompanying classical ballet technique classes, Yee Sik Wong
Theses/Dissertations from 2010
"Organ Grinder's Swing": representations of street music in New York City, 1850-1937, Michael David Accinno
The life and career of Himie Voxman, Michele Ann Bowen Hustedt
Cultivating madness: a production book for Reefer Madness! the musical, Brandon Scott Bruce
A study of Peter Christian Lutkin's philosophy of church music and its manifestation in the hymn tune transcriptions for organ (1908), Julia Christine Brueck
Training singers to be literate musicians: the integration of musical, linguistic, and technical skills in the private voice studio, Michelle Joy Crouch
Musical time and information theory entropy, Sarah Elizabeth Culpepper
Erosion, Matthew Dotson
Creative thinking in elementary general music: a survey of teachers' perceptions and practices, Sarah Mae Fairfield
Renderings, Zachary David Fischer
Representations of African-American life In Alexander Zemlinsky's Sinfonsiche [sic] Gesänge, O20, Stevie Lynne Garza
Elements of narrative in the masses of Loyset Compère, Daniel Ross Howard
Lucien Capet: comparisons and connections to contemporary violin bowing technique, Kelley Marie Johnson
A scholarly edition of Ignazio Donati's "Salmi boscarecci", Fred Curtis Kiser
Normal mode for chamber ensemble and electronics, Israel Neuman
The seven seas, Stas Omelchenko
Beyond auditions: gender discrimination in America's top orchestras, Amy Louise Phelps
James Houlik: life of a tenor saxophone specialist, Scott David Sandberg
Performance edition of Franz von Suppé's Overture to Das Modell, Jeremy Christian Starr
David Fanshawe's African sanctus: one work for one world ~ through one music, Tina Louise Thielen-Gaffey
An interactive software program to develop pianists' sight-reading ability, Victoria Tsangari
Approaching the classical style: a resource for jazz saxophonists, Joel Patrick Vanderheyden
Oboe reed-making pedagogy in the United States: a survey, Elizabeth Ann Young Rennick
Theses/Dissertations from 2009
Performance guide to three keyboard sonatas of Antonio Soler, Hayk Arsenyan
The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198, Kimberly Jean Beck
Cootie Williams, Rex Stewart, and Ray Nance: Duke Ellington's trumpet soloists 1940-1942, Bryan Wendell Bennett
The clarinet works of Gustav Adolph Heinze, Yasmin Angelique Flores
The clarinet works of Joseph Horovitz: An analysis of his compositional style, Heather Gozdan-Bynum
A creative pedagogical approach to Hindemith's music for horn and piano with thirty progressive etudes, Jeremy Christian Hansen
Johann Michael Vogl's alterations to Schubert's "Die schöne Müllerin", Joseph R. Matson
The saxophone music of Juan Orrego-Salas: a biography and performer's guide for four works, Regina Anne Parks
Introduction to the choral music traditions of the Kachin people of northern Myanmar, Charles Wesley Steddom
Elasticity in three compositions with flute by Boris Blacher, Cecilia Taher
Theses/Dissertations from 2008
Jean-Baptiste Davaux and his symphonies concertantes, Kyung-Eun Kim
Australian sonatas for alto saxophone and piano: new editions and performance guides for three works by major australian composers, Michael Wade Lichnovsky
Theses/Dissertations from 1994
Stage management of The emperor of the moon by Aphra Behn as directed and revised by Carol MacVey, Vantony A. Jenkins.
Theses/Dissertations from 1976
The Modi generali del canto : a translation and commentary, Stephen A. Willier
Theses/Dissertations from 1961
The Production book of "The Diary of Anne Frank", Allan Kurtz Longacre II