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Theses/Dissertations from 2011

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A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone, Stephen Charles Page Jr.

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Facilitation of the learning and memorization processes of harmonically challenging piano works: Metopes, o29 by Karol Szymanowski, Lev Ryabinin

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Landless, Andrew P. Saito

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Wilhelm Bernhard Molique's Concerto for violoncello, o45: a historical and practical study, Laura Beth Shaw

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Set in motion, Christopher Greg Shortway

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Misalliance: a stage manager's process, Rebecca Joan Simons

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The new American song: a catalog of published songs by 25 living American composers, Sarah Elizabeth Snydacker

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Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano, Joshua Ketring Thompson

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Richard stoltzman: defying categorization, Amy Alizabeth Turnbull

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A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier, Tara Diane Warfield

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"Peopled with invisible presences": Oxford and the Tudor revival, ca. 1890-1939, Laura J. Wiebe

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State classical solo contest repertoire lists: an exploratory study and comprehensive list of recommended intermediate alto saxophone compositions, Jane Rochelle Williams

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The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: a performance guide, Jacqueline May Wilson

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The art of accompanying classical ballet technique classes, Yee Sik Wong

Theses/Dissertations from 2010

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"Organ Grinder's Swing": representations of street music in New York City, 1850-1937, Michael David Accinno

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The life and career of Himie Voxman, Michele Ann Bowen Hustedt

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Cultivating madness: a production book for Reefer Madness! the musical, Brandon Scott Bruce

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A study of Peter Christian Lutkin's philosophy of church music and its manifestation in the hymn tune transcriptions for organ (1908), Julia Christine Brueck

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Training singers to be literate musicians: the integration of musical, linguistic, and technical skills in the private voice studio, Michelle Joy Crouch

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Musical time and information theory entropy, Sarah Elizabeth Culpepper

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Erosion, Matthew Dotson

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Creative thinking in elementary general music: a survey of teachers' perceptions and practices, Sarah Mae Fairfield

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Renderings, Zachary David Fischer

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Representations of African-American life In Alexander Zemlinsky's Sinfonsiche [sic] Gesänge, O20, Stevie Lynne Garza

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Elements of narrative in the masses of Loyset Compère, Daniel Ross Howard

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Lucien Capet: comparisons and connections to contemporary violin bowing technique, Kelley Marie Johnson

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A scholarly edition of Ignazio Donati's "Salmi boscarecci", Fred Curtis Kiser

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Normal mode for chamber ensemble and electronics, Israel Neuman

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The seven seas, Stas Omelchenko

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Beyond auditions: gender discrimination in America's top orchestras, Amy Louise Phelps

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A historical overview of Carlos Seixas's works for solo keyboard and a performance guide based on analytical observations including pedagogical annotations and analysis of four of his keyboard pieces, Olga María Rúa

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James Houlik: life of a tenor saxophone specialist, Scott David Sandberg

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Performance edition of Franz von Suppé's Overture to Das Modell, Jeremy Christian Starr

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David Fanshawe's African sanctus: one work for one world ~ through one music, Tina Louise Thielen-Gaffey

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An interactive software program to develop pianists' sight-reading ability, Victoria Tsangari

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Approaching the classical style: a resource for jazz saxophonists, Joel Patrick Vanderheyden

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Oboe reed-making pedagogy in the United States: a survey, Elizabeth Ann Young Rennick

Theses/Dissertations from 2004

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The clarinet chamber music of Phyllis Tate, Christine M. Bellomy

Theses/Dissertations from 1991

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A history of the Center for New Music at the University of Iowa, 1966-1991, Barbara C. Phillips-Farley

Theses/Dissertations from 1976

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The Modi generali del canto : a translation and commentary, Stephen A. Willier

Theses/Dissertations from 1961

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The Production book of "The Diary of Anne Frank", Allan Kurtz Longacre II

Theses/Dissertations from 1956

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Athanasius Kircher, Musurgia Universalis (Rome, 1650) : the section on musical instruments, Frederick Baron Crane