Argues that "the war of disunion and the subsequent dismembering of bodies . . . convulsed and stalled Whitman's poetics, which depended upon a series of metaphoric relations between body, nation, and text," and that through a series of "gruesome narrative displays, Whitman struggled to find a way to represent the war therapeutically," inventing in Memoranda "a representational form that would preserve the convulsiveness of the period."
Copyright © 2005 by The University of Iowa.
Available at: http://ir.uiowa.edu/wwqr/vol23/iss1/2