Number 21 (2017)
Exhibiting Dada and Surrealism
Sponsored by the Association for the Study of Dada and Surrealism
General Editor's Note
Introduction
Writing the Histories of Dada and Surrealist Exhibitions: Problems and Possibilities
Kathryn M. Floyd
https://doi.org/10.17077/0084-9537.1327
Theme Essays
Johannes Baader’s Postwar Plasto-Dio-Dada-Drama and German War Exhibitions during World War I
Katharina Hoins
https://doi.org/10.17077/0084-9537.1336
Mise-en-page to Mise-en-scène: Intersecting Display Strategies in Dada Art Journals and Exhibitions
Emily Hage
https://doi.org/10.17077/0084-9537.1332
Brides Stripped Bare: Surrealism, the Large Glass, and U.S. Women’s Imaginary Museums
Susan Rosenbaum
https://doi.org/10.17077/0084-9537.1328
The 1940 International Exhibition of Surrealism: A Cosmopolitan Art Dialogue in Mexico City
Dafne Cruz Porchini and Adriana Ortega Orozco
https://doi.org/10.17077/0084-9537.1329
Thirteen Artists in a Tent: Danish Avant-garde Exhibition Practice during World War II
Kerry Greaves
https://doi.org/10.17077/0084-9537.1330
Kurt Schwitters and 27 Senses: Resonances in Norway, England, and Time
Wood Roberdeau
https://doi.org/10.17077/0084-9537.1331
Playing in the Wunderkammer p. Special Collections, Carson & Miller, Manchester Metropolitan University
Jonathan Carson and Rosie Miller
https://doi.org/10.17077/0084-9537.1333
Additional Essays
Songs, Anti-Symphonies and Sodomist Music: Dadaist Music in Zurich, Berlin and Paris
Paul Ingram
https://doi.org/10.17077/0084-9537.1334
No Price Above Pearls: The Avant-Garde Economy of Georges Hugnet’s and Henri d’Ursel’s La Perle
Hervé Picherit
https://doi.org/10.17077/0084-9537.1322
André Breton and Vladimir Mayakovsky: Poeticizing Politics and Politicizing Poetry
Hazel Donkin
https://doi.org/10.17077/0084-9537.1319
Introduction to Andrei Codrescu’s Posthuman Dada Guide
Timothy Shipe
https://doi.org/10.17077/0084-9537.1338
Andrei Codrescu’s Posthuman Dada Guide: A Lecture-Performance
Andrei Codrescu
https://doi.org/10.17077/0084-9537.1339
Review
Stavrinaki, Maria. Dada Presentism
Maxwell Hyett and Julian Jason Haladyn
https://doi.org/10.17077/0084-9537.1335
Notes on Contributors
Catalogue, Exposition Dada Man Ray, Paris, 1921. International Dada Archive, Special Collections, University of Iowa Libraries.
Responsible for no.21
Guest Editor
- Kathryn Floyd, Auburn University
Editor
- Timothy Shipe, The University of Iowa
Editorial Board
- Mary Ann Caws, City University of New York
- Katharine Conley, College of William and Mary
- Jonathan P. Eburne, Pennsylvania State University
- Stephen Forcer, University of Birmingham
- David Hopkins, University of Glasgow
- Dalia Judovitz, Emory University
- Rudolf E. Kuenzli, The University of Iowa
- Adelaide M. Russo, Louisiana State University