Document Type


Date of Degree

Spring 2011

Degree Name

DMA (Doctor of Musical Arts)

Degree In


First Advisor

Swanson, Stephen

Second Advisor

Rhoads, Shari

First Committee Member

Getz, Christine

Second Committee Member

Huckleberry, Alan

Third Committee Member

Muriello, John


Research shows young singers are entering the professional world without the necessary skills to succeed. Students graduate from their respective colleges, yet lack experience in working with an orchestra, knowledge of dramatic or character analysis, or the stamina to maintain a vigorous rehearsal schedule. Incorporating character analysis skills along with language and dramatic training into the weekly private lesson will ensure the removal of the gaps in the curriculum.

Through complete role study, young singers will have the ability to practice and refine their skills once they are vocally mature enough to perform an operatic role. The role of Sophie in Der Rosenkavalier by Richard Strauss is a challenging role requiring musical and dramatic skill. Students can examine and perform Strauss Lieder identifying similarities in the compositional style, dramatic elements, and musical requirements to prepare for the singing of the role of Sophie. This paper uses practical examples of various Strauss Lieder to demonstrate the pedagogical similarities between the role of Sophie and Strauss' song compositions.


Lieder, Opera, Pedagogy, Performance, Strauss, Voice


vii, 106 pages


Includes bibliographical references (pages 104-106).


Copyright 2011 Tara Diane Warfield

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