DOI

10.17077/etd.dl1b7lvg

Document Type

Thesis

Date of Degree

Spring 2015

Degree Name

MFA (Master of Fine Arts)

Degree In

Theatre Arts

First Advisor

John Cameron

First Committee Member

Paul Kaina

Second Committee Member

Anne Marie Nest

Abstract

My artistic process as an actor is ever changing--always in flux and adjusting to the needs and dominant rhythms of the character and imaginary world of the play. While there may be some overlap, every role is different from the next role and therefore the artistic process serves to help the actor find a way into the life of the character. Actor training in movement, voice, and acting technique provides me with a variety of tools to choose from when developing a character for performance. My artistic process is the exploration and play that goes into picking and choosing which tools suit me best to approach the development of a character. It is my work to use these tools to discover the many connections and themes between the character and the imaginary world of the play as well as how they interact with each other. A significant part of this exploration is doing the character research to answer specific questions such as: Is my character's interaction with others mostly negative or positive? What want, need, or desire lures my character from the beginning of the play through to the end? What is my characters internal rhythm...heavy and lethargic or light and erratic? Moreover, the artistic process is crucial to giving me the freedom to release into the character so that I can successfully make the jump from playing at a character to truly embodying the character.

Public Abstract

My artistic process as an actor is ever changing—always in flux and adjusting to the needs and dominant rhythms of the character and imaginary world of the play. While there may be some overlap, every role is different from the next role and therefore the artistic process serves to help the actor find a way into the life of the character. Actor training in movement, voice, and acting technique provides me with a variety of tools to choose from when developing a character for performance. My artistic process is the exploration and play that goes into picking and choosing which tools suit me best to approach the development of a character. It is my work to use these tools to discover the many connections and themes between the character and the imaginary world of the play as well as how they interact with each other. A significant part of this exploration is doing the character research to answer specific questions such as: Is my character’s interaction with others mostly negative or positive? What want, need, or desire lures my character from the beginning of the play through to the end? What is my characters internal rhythm...heavy and lethargic or light and erratic? Moreover, the artistic process is crucial to giving me the freedom to release into the character so that I can successfully make the jump from playing at a character to truly embodying the character.

Keywords

publicabstract, Actor, Grad Actor, MFA, Performing Arts, Regina Morones, Theatre Arts

Pages

iv, 27 pages

Bibliography

Includes bibliographical references (pages 23-27).

Copyright

Copyright 2015 Regina Marie Morones

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