Document Type
Thesis
Date of Degree
Spring 2013
Degree Name
MA (Master of Arts)
Degree In
Art History
First Advisor
Dorothy Johnson
Abstract
This master's thesis seeks to dispel the myth that nineteenth century painter Paul Delaroche's art was either apolitical or politically conservative. Through an examination of Delaroche's portraits of the late Napoleon I in conjunction with contemporary napoleonic prints, one finds that Delaroche was, indeed, deeply involved with contemporary politics. A close examination of his portraits shows that this involvement manifested itself in support for both the Cult of Napoleon and for the Bonapartist party.
Keywords
Delaroche, Napoleon, Politics, Portraits, Prints, Revolution
Pages
iv, 77 pages
Bibliography
Includes bibliographical references (pages 75-77).
Copyright
Copyright 2013 Alissa Adams