DOI

10.17077/etd.t2r2p186

Document Type

Thesis

Date of Degree

Spring 2017

Degree Name

MFA (Master of Fine Arts)

Degree In

Art

First Advisor

Jung, Anita

First Committee Member

Casto, Andrew

Second Committee Member

Dilg, John

Third Committee Member

Givler, Hannah

Fourth Committee Member

Snitzer, James

Public Abstract

The title of this body of work, NOT A COUNTRY AT ALL, takes its name from a well-known passage of Willa Cather’s 1918 novel, My Antonia, in which she describes a first encounter with the Midwest landscape from the perspective from a settler-colonist family in the late 19th century. The main character describes the landscape as “not a country at all, but the material out of which countries are made.” Using this description as a point of departure, this thesis and corresponding exhibition responds to the implications of regarding land as material, and making or crafting as a claim to national identity. The national myth valorizes making: craft, labor, creativity, and settlement as the strength and unifying fabric of the nation. I propose that it is now our un-making that will bring us together: the point at which material resists artifice, land no longer yields to our desires, and storms of our creation but beyond our control grow strong. The following document consists of images of artworks from the corresponding thesis exhibition in printmaking, sculpture, and a work of prose-poetry that explores themes of nation, land, craft, ancestry, and climate change.

Keywords

Americana, craft, land, material, nationalism, nostalgia

Pages

vi, 27 pages

Bibliography

Includes bibliographical references (page 27).

Copyright

Copyright © 2017 Rachel Kauff

Included in

Art Practice Commons

Share

COinS