Title
Countess, conductor, pioneer: Lady Radnor and the phenomenon of the Victorian Ladies’ Orchestra
Document Type
Dissertation
Date of Degree
Spring 2017
Degree Name
DMA (Doctor of Musical Arts)
Degree In
Music
First Advisor
William LaRue Jones
First Committee Member
Marian Wilson Kimber
Second Committee Member
Timothy Stalter
Third Committee Member
Scott Conklin
Fourth Committee Member
Robert Cook
Abstract
Helen Pleydell-Bouverie, the Countess of Radnor, who conducted an amateur ladies' orchestra from 1881 until 1896, was a critical early pioneer in the development of female orchestral performance in England. Lady Radnor's orchestra was widely praised, and she herself was highly regarded by British royalty, artistic elite, and lower-class audiences alike. While her probable status as the first British woman to regularly and publicly conduct an orchestra merits recognition on its own, her work is of yet further interest as an important step in the advancement of women musicians from the salon to the professional concert hall. In a time when professional musicianship was not accessible to upper-class women, Lady Radnor became a significant influence in musical culture through patronage, pedagogy, entrepreneurship, and especially philanthropy. Indeed, charitable activity was the main structure that enabled aristocratic women to have public performance careers. Her example shows that the professional female conductors who emerged in the twentieth century were not rogue anomalies, but rather built upon the cultural foundation laid in part by the work of aristocratic amateurs.
Keywords
conducting, female, orchestra
Pages
vii, 209 pages
Bibliography
Includes bibliographical references (pages 190-209).
Copyright
Copyright © 2017 Philip Christopher Rudd