DOI
10.17077/etd.1yiszix1
Document Type
Dissertation
Date of Degree
Summer 2017
Access Restrictions
Access restricted until 08/31/2019
Degree Name
DMA (Doctor of Musical Arts)
Degree In
Music
First Advisor
Stalter, Timothy
First Committee Member
Getz, Christine
Second Committee Member
Muriello, John
Third Committee Member
Puderbaugh, David
Fourth Committee Member
Swanson, Stephen
Abstract
Jean Berger (1909-2002) fled the rise of Nazi power in his native Germany to become one of the U.S.A.'s most popular choral composers of the second half of the twentieth century. Berger's unpublished memoirs and collected correspondence with composers, authors and political luminaries paint a fascinating picture of his life which, steered by a series of fateful coincidences, forced Berger to reinvent himself repeatedly, mastering a series of professions and foreign languages as well as changing his religious orientation, country of residence (from Germany to France to Brazil to the U.S.), and even his name. This thesis reveals the Jewish background of this self-described "house composer" of the Lutheran Church, and examines the intellectual, cultural and aesthetic influences which led Berger to develop a new genre of choral music, the staged chorus. These influences include Berger's participation in the German Jugendbeweung, the social philosophies of his mentor in music history, Heinrich Besseler, and the inspiration provided to Berger by the works of composer Carl Orff.
Pages
x, 193 pages
Bibliography
Includes bibliographical references (pages 188-193).
Copyright
Copyright © 2017 Michael Schnack
Recommended Citation
Schnack, Michael. "Jean Berger's staged choruses as a concurrence of biographical and artistic reinvention." DMA (Doctor of Musical Arts) thesis, University of Iowa, 2017.
https://doi.org/10.17077/etd.1yiszix1