DOI
10.17077/etd.gumycmue
Document Type
Dissertation
Date of Degree
Spring 2018
Degree Name
DMA (Doctor of Musical Arts)
Degree In
Music
First Advisor
John Muriello
First Committee Member
Stephen Swanson
Second Committee Member
Luis Martín-Estudillo
Third Committee Member
David Puderbaugh
Fourth Committee Member
Wayne Wyman
Fifth Committee Member
Nathan Platte
Abstract
This essay introduces readers to the music of the Venezuelan composer Modesta Bor (1926-1998) and provides a resource for interpretation of her art songs for voice and piano. Bor was an important composer in Venezuela with a successful career in composition, pedagogy, and conducting. However, she is not widely known outside of Venezuela and scholarship on her art song is limited. This study seeks to fill that void by examining Bor’s twenty-nine published art songs for solo voice and piano. These works include the song cycles/collections Tres canciones infantiles para voz y piano, Canciones infantiles, Primer ciclo de romanzas para contralto y piano, Segundo ciclo de romanzas para contralto y piano, Tríptico sobre poesía cubana, and Tres canciones para mezzo-soprano y piano, as well as nine ungrouped songs. Bor’s art songs are notable for her imitation of Venezuelan folk and popular music in the vein of Figurative Nationalism, her sophisticated harmonic language, and neoclassical techniques such as ostinato and motivic variation. This essay aims to help performers begin to understand the allusions to the national music of Venezuela. Her music elevates the llanero, the common rural laborer, and comments on the social issues of her people. This essay provides a brief history of Venezuelan music, a biography of Bor, and brief biographies of the poets used. It also contributes original poetic and musical analyses of her art songs, exploring the areas of form, melody, rhythm, and harmony. Venezuelan Spanish and the lyric diction appropriate for Bor’s songs are discussed. Poetic translations, word-for-word translations, and International Phonetic Alphabet transliterations are included for all of the poetry used.
Keywords
joropo, Latin American art song, merengue, Spanish Diction, Venezuela, Women Composers
Pages
xviii, 367 pages
Bibliography
Includes bibliographical references (pages 352-367).
Copyright
Copyright © 2018 Nicholas Edward Miguel
Recommended Citation
Miguel, Nicholas Edward. "The art songs of Modesta Bor (1926-1998)." DMA (Doctor of Musical Arts) thesis, University of Iowa, 2018.
https://doi.org/10.17077/etd.gumycmue