Home > IOWAREVIEW > Vol. 20 (1990) > Iss. 2
Volume 20, Issue 2 (1990) Spring-Summer
Front Matter
Front Matter, The Iowa Review, v.20 no.2, Spring-Summer, 1990
https://doi.org/10.17077/0021-065X.3865
Contents
Facing Pages p. 1-6
David Hamilton
https://doi.org/10.17077/0021-065X.3866
The Man Who Measures Animals p. 8-11
James Solheim
https://doi.org/10.17077/0021-065X.3867
Nathaniel Hawthorne and Sophia p. 12-12
Ann Struthers
https://doi.org/10.17077/0021-065X.3868
Dream of the Interior p. 13-14
Chase Twichell
https://doi.org/10.17077/0021-065X.3869
Useless Islands p. 14-16
Chase Twichell
https://doi.org/10.17077/0021-065X.3870
Why All Good Music Is Sad p. 16-17
Chase Twichell
https://doi.org/10.17077/0021-065X.3871
Remember Death p. 17-18
Chase Twichell
https://doi.org/10.17077/0021-065X.3872
On the Possibilities of the Essay: A Meditation p. 19-27
Rebecca Blevins Faery
https://doi.org/10.17077/0021-065X.3873
On Virginia Woolf on the Essay p. 28-34
Carl H. Klaus
https://doi.org/10.17077/0021-065X.3874
Nap p. 35-35
Ruth McCollum
https://doi.org/10.17077/0021-065X.3875
A Walk p. 35-41
Ruth McCollum
https://doi.org/10.17077/0021-065X.3876
Long, Disconsolate Lines p. 42-42
Jane Cooper
https://doi.org/10.17077/0021-065X.3877
A Curious Romance p. 43-43
James Laughlin
https://doi.org/10.17077/0021-065X.3878
The Box p. 44-45
James Laughlin
https://doi.org/10.17077/0021-065X.3879
Serenade in Blue p. 46-47
Christopher Buckley
https://doi.org/10.17077/0021-065X.3880
Sun Spots p. 48-49
Christopher Buckley
https://doi.org/10.17077/0021-065X.3881
Dark Matter p. 50-51
Christopher Buckley
https://doi.org/10.17077/0021-065X.3882
The Miscreant p. 52-65
Victor Rangel-Ribeiro
https://doi.org/10.17077/0021-065X.3883
How to Grow Up p. 66-69
Leslie Pietrzyk
https://doi.org/10.17077/0021-065X.3884
Like a Normal Human Being p. 70-85
E. J. Graff
https://doi.org/10.17077/0021-065X.3885
How I Got That Name p. 86-88
Marilyn Chin
https://doi.org/10.17077/0021-065X.3886
Clear White Stream p. 89-90
Marilyn Chin
https://doi.org/10.17077/0021-065X.3887
Tabaco De Vuelta Abajo p. 91-91
Ricardo Pau-Llosa
https://doi.org/10.17077/0021-065X.3888
Cañaverales p. 92-93
Ricardo Pau-Llosa
https://doi.org/10.17077/0021-065X.3889
The Expert p. 94-95
James Tate
https://doi.org/10.17077/0021-065X.3890
Vito Takes His Neighbor's Dog for a Drive p. 95-96
James Tate
https://doi.org/10.17077/0021-065X.3891
I Am a Finn p. 96-97
James Tate
https://doi.org/10.17077/0021-065X.3892
I Am Still a Finn p. 97-98
James Tate
https://doi.org/10.17077/0021-065X.3893
Bocci p. 99-113
Renée Manfredi
https://doi.org/10.17077/0021-065X.3894
Mamita p. 114-121
Geoffrey Martino
https://doi.org/10.17077/0021-065X.3895
Penn's Orchard p. 122-123
Michael J. Rosen
https://doi.org/10.17077/0021-065X.3896
Sabbatical p. 124-126
Paul Allen
https://doi.org/10.17077/0021-065X.3897
Dear Friend p. 127-128
Paul Allen
https://doi.org/10.17077/0021-065X.3898
Love Poem p. 129-129
Thomas Geraghty
https://doi.org/10.17077/0021-065X.3899
Contingencies p. 130-139
Sondra Spatt Olsen
https://doi.org/10.17077/0021-065X.3900
Electric Latches p. 140-157
Steve Fisher
https://doi.org/10.17077/0021-065X.3901
Henry James's Boston p. 158-165
Alexander Theroux
https://doi.org/10.17077/0021-065X.3902
The Collected Larkin: "But Why Put It into Words?" p. 166-181
Peter Filkins
https://doi.org/10.17077/0021-065X.3903
Review of "The Gunny Sack" by Ahmad Harb p. 182-185
Ahmad Harb
https://doi.org/10.17077/0021-065X.3904
Back Matter
About the Cover Image
Our cover images, front and back, are "Liminal Icon XCIX and CV" (1989). These are works in acrylic on board, 10" x 9" in both cases, by Hans Breder, who directs the courses in Multimedia and Video Art for the MFA Program in Art at The University of Iowa. Professor Breder, who is originally from Germany, has work in the collections of the Museum of Modern Art and the Whitney Museum of American Art in New York City. His work was also represented in the Whitney Biennial Exhibitions of 1987 and 1989, and in a group exhibition of contemporary American art, "Painting Beyond the Death of Painting," in Moscow, 1989.
Editors
- Editor
- David Hamilton
- Managing Editor
- Mary Hussmann
- Designer
- Kay Amert
- Assistant Editors
- Nicole Cooley
- Rochelle Nameroff
- James Boyd White
- Editorial Assistants
- Jon Anderson
- Karen E. Bender
- Michael Connell
- Kristen E. Gandrow
- Tom Grimes
- Hernán Guaracao-Calderón
- Carolyn Jacobson
- Heidi Johannesen
- Rebecca L. Johnson
- Fritz McDonald
- Charles McIntyre
- Rosemary Regan-Gavin
- Margarita Robles
- Amy Stewart
- Mary Sylwester
- Jules van Lieshout
- Jennifer Veech
- David P. Wall
- Advisory Board
- Panayot Butchvarov, Chair
- Maria A. Duarte
- Eugenia T. McGee
- Fredrick Woodard
- Paul Zimmer