Home > IOWAREVIEW > Vol. 23 (1993) > Iss. 3
Volume 23, Issue 3 (1993) Fall
Front Matter
Contents
A Conversation with Patricia Hampl p. 1-25
Patricia Hampl, Jocelyn Bartkevicius, David Hamilton, and Mary Hussmann
https://doi.org/10.17077/0021-065X.4306
In the Belly of the Whale p. 26-36
Patricia Hampl
https://doi.org/10.17077/0021-065X.4307
I Know Many Songs, but I Cannot Sing p. 37-44
Brian Kiteley
https://doi.org/10.17077/0021-065X.4308
A Brief Inquiry into the Origins of St. Elmo, California p. 45-62
Laura Kalpakian
https://doi.org/10.17077/0021-065X.4309
The Departure p. 63-63
James Laughlin
https://doi.org/10.17077/0021-065X.4310
The Old Indian p. 63-63
James Laughlin
https://doi.org/10.17077/0021-065X.4311
In the Highstreet of Tralee p. 64-64
James Laughlin
https://doi.org/10.17077/0021-065X.4312
Why? p. 64-64
James Laughlin
https://doi.org/10.17077/0021-065X.4313
The Rain on the Roof p. 64-65
James Laughlin
https://doi.org/10.17077/0021-065X.4314
At the End p. 65-65
James Laughlin
https://doi.org/10.17077/0021-065X.4315
Dawn (From Byways) p. 65-67
James Laughlin
https://doi.org/10.17077/0021-065X.4316
Filaments p. 68-69
Talvikki Ansel
https://doi.org/10.17077/0021-065X.4317
Fishing p. 69-70
Talvikki Ansel
https://doi.org/10.17077/0021-065X.4318
Fires p. 71-72
Floyd Skloot
https://doi.org/10.17077/0021-065X.4319
Behind Gershwin's Eyes p. 72-74
Floyd Skloot
https://doi.org/10.17077/0021-065X.4320
Three Peas in a Pod p. 75-75
Sue Owen
https://doi.org/10.17077/0021-065X.4321
Stoves p. 76-76
Sandra Nelson
https://doi.org/10.17077/0021-065X.4322
When She Used to Be Pretty p. 76-77
Sandra Nelson
https://doi.org/10.17077/0021-065X.4323
What a Comet Is p. 77-79
Sandra Nelson
https://doi.org/10.17077/0021-065X.4324
Ivy Day in the Empty Room p. 80-93
James A. McPherson
https://doi.org/10.17077/0021-065X.4325
When She Learns Her Son Is Gay p. 94-109
Joseph M. Schuster
https://doi.org/10.17077/0021-065X.4326
Mama How Come Black Men Don't Get to Be Heroes?: Black Poets and the Movies: Invitation to a Gunfighter p. 110-131
Laurence Goldstein
https://doi.org/10.17077/0021-065X.4327
From "The Book of the Dead Man": About the Dead Man's Speech; More about the Dead Man's Speech; About the Dead Man and Thunder; More about the Dead Man and Thunder; About the Dead Man and His Cortege; More about the Dead Man and His Cortege p. 132-136
Marvin Bell
https://doi.org/10.17077/0021-065X.4328
The Tumor p. 137-137
Patricia Murphy
https://doi.org/10.17077/0021-065X.4329
Cowardice p. 138-138
Janet Piper
https://doi.org/10.17077/0021-065X.4330
East Texas Wild Life p. 138-139
Janet Piper
https://doi.org/10.17077/0021-065X.4331
Behind This Mortal Bone p. 139-139
Janet Piper
https://doi.org/10.17077/0021-065X.4332
Field p. 140-141
Chard deNiord
https://doi.org/10.17077/0021-065X.4333
The Dolphin p. 141-142
Chard deNiord
https://doi.org/10.17077/0021-065X.4334
Escaping Eden p. 143-145
John Bensko
https://doi.org/10.17077/0021-065X.4335
The Waterman's Children p. 146-146
John Bensko
https://doi.org/10.17077/0021-065X.4336
Crabbing p. 147-147
John Bensko
https://doi.org/10.17077/0021-065X.4337
The Jetsams p. 148-156
E. J. Graff
https://doi.org/10.17077/0021-065X.4338
The Girls' Army p. 157-162
Emily White
https://doi.org/10.17077/0021-065X.4339
Luanda by Night p. 163-164
Martin Earl
https://doi.org/10.17077/0021-065X.4340
Mahler's Shed p. 164-165
Martin Earl
https://doi.org/10.17077/0021-065X.4341
Leipzig p. 165-165
Martin Earl
https://doi.org/10.17077/0021-065X.4342
Coin p. 166-166
A. V. Christie
https://doi.org/10.17077/0021-065X.4343
Glyph p. 166-166
A. V. Christie
https://doi.org/10.17077/0021-065X.4344
Eye Brooch p. 167-167
A. V. Christie
https://doi.org/10.17077/0021-065X.4345
Landscape p. 167-167
A. V. Christie
https://doi.org/10.17077/0021-065X.4346
Rodin Exhibit on the Rooftop, Metropolitan Museum of Art p. 168-168
Peter Marcus
https://doi.org/10.17077/0021-065X.4347
The Affair p. 169-169
Peter Marcus
https://doi.org/10.17077/0021-065X.4348
From "Poems of the Mothers": What Will He Be like?; Sweetness; My Sister; Quiet; Earth's Image; Dawn p. 170-172
Gabriela Mistral and Christiane Jacox Kyle
https://doi.org/10.17077/0021-065X.4349
From "Poems of the Saddest Mother": Cast out; Why Did You Come? p. 172-173
Gabriela Mistral and Christiane Jacox Kyle
https://doi.org/10.17077/0021-065X.4350
Horses p. 174-185
T. M. McNally
https://doi.org/10.17077/0021-065X.4351
Last Lessons in Beekeeping p. 186-203
Joe Dwyer
https://doi.org/10.17077/0021-065X.4352
On Laura Kasischke's "Wild Brides" p. 204-207
Tom Hansen
https://doi.org/10.17077/0021-065X.4353
Back Matter
About the Cover Image
Our front cover image reproduces 20th century Turkish cuvais, or storage bags from, the central Anatolian region of Karapinar. Almost always woven in pairs, these bags were used primarily for gathering brush. Tightly woven, they feature a simple pattern of alternating natural cream and brown wool. Of great interest is the use of felt between the bag face and the card-woven goat hair belt. Felt production, common in the region between Afyon, Konya, and Karapinar, has all but disappeared in Anatolia. These bags are from the collection of Keith Achepohl.
Editors
- Editor
- David Hamilton
- Managing Editor
- Mary Hussmann
- Designer
- Kay Amert
- Assistant Editors
- Benjamin Anastas
- Michael Fisch
- Eachan Holloway
- Editorial Assistants
- Scott Anderson
- Eileen Bartos
- Nell Beram
- Clay Carlson
- Jennifer S. Epstein
- Laura Harger
- Philip Kobylarz
- Caroline Ledeboer
- Darleen Lev
- Stephen Mayberry
- Lynn Mennenga
- Lee Montgomery
- Tania Pryputniewicz
- Fred Redekop
- Baron Reed
- Kelly Ritter
- Matt Rohrer
- Rebecca Wolff
- Promotion Consultants
- Kristin S. Berg
- Lisa L. Owens
- Advisory Board
- David Baldus
- Frank Conroy
- Charles Kremenak
- Judy Polumbaum
- Leslie Simms
- Thomas Walz