Home > IOWAREVIEW > Vol. 29 (1999) > Iss. 1
Volume 29, Issue 1 (1999) Spring
Front Matter
Contents
Obscurity p. 1-4
Martin Earl
https://doi.org/10.17077/0021-065X.5092
Bellow's Blues p. 5-10
Joan Frank
https://doi.org/10.17077/0021-065X.5094
From "La France" p. 11-14
Philip Kobylarz
https://doi.org/10.17077/0021-065X.5096
Paree Bis p. 15-24
Russell Fraser
https://doi.org/10.17077/0021-065X.5098
Flight p. 25-36
Cornelia Nixon
https://doi.org/10.17077/0021-065X.5101
Farmer p. 37-45
Bruce Holbert
https://doi.org/10.17077/0021-065X.5103
Library p. 46-53
Albert Goldbarth
https://doi.org/10.17077/0021-065X.5105
The Great Ones p. 54-55
Albert Goldbarth
https://doi.org/10.17077/0021-065X.5107
Fiddler on the Roof p. 56-63
Mildred Verba Morris
https://doi.org/10.17077/0021-065X.5109
Storm-Tossed p. 64-69
Michael Joyce
https://doi.org/10.17077/0021-065X.5111
White Moths p. 70-74
Michael Joyce
https://doi.org/10.17077/0021-065X.5113
Solstice p. 75-76
George Bilgere
https://doi.org/10.17077/0021-065X.5115
A Kind of Catastrophe p. 77-79
Rachel Zucker
https://doi.org/10.17077/0021-065X.5117
The Disconsolation of Philosophy p. 80-80
Edward Kleinschmidt Mayes
https://doi.org/10.17077/0021-065X.5119
Whispering in Penny's Ear p. 81-81
James McKean
https://doi.org/10.17077/0021-065X.5121
Directing a University Press p. 82-83
Paul Zimmer
https://doi.org/10.17077/0021-065X.5123
Fetch p. 84-84
Jeffrey Skinner
https://doi.org/10.17077/0021-065X.5125
Da Vinci Lumbers through the Sistine Chapel p. 85-85
Ryan Johnson
https://doi.org/10.17077/0021-065X.5127
The Fiddler's Trance p. 86-86
Floyd Skloot
https://doi.org/10.17077/0021-065X.5130
The Making of the World p. 87-88
Pattiann Rogers
https://doi.org/10.17077/0021-065X.5132
The Stars beneath My Feet p. 88-89
Pattiann Rogers
https://doi.org/10.17077/0021-065X.5134
Intertextual Latin American Narrative in the Work of Jorge Accame p. 90-91
David Hamilton and Lourdes Espinola
https://doi.org/10.17077/0021-065X.5136
Diary of an Explorer p. 91-97
Jorge Accame and Hillary Gardner
https://doi.org/10.17077/0021-065X.5138
The Recuperative Work of Lourdes Espinola p. 98-98
David Hamilton and Monica Velásquez
https://doi.org/10.17077/0021-065X.5141
From "I Write the Life of a Woman" p. 99-100
Lourdes Espinola and Roman Fitzsimmons
https://doi.org/10.17077/0021-065X.5143
All That Is Needed p. 100-100
Lourdes Espinola and Roman Fitzsimmons
https://doi.org/10.17077/0021-065X.5145
Like the Dance of the Dolphin in the Ocean p. 100-101
Lourdes Espinola and Roman Fitzsimmons
https://doi.org/10.17077/0021-065X.5147
From "Abyss" p. 101-103
Lourdes Espinola and Roman Fitzsimmons
https://doi.org/10.17077/0021-065X.5150
Manuscript in the Drawer p. 103-103
Roman Fitzsimmons and Lourdes Espinola
https://doi.org/10.17077/0021-065X.5152
The Voice within the Voice of Monica Velásquez p. 104-104
Jorge Accame and David Hamilton
https://doi.org/10.17077/0021-065X.5154
From "Three Names for a Place" p. 105-109
Monica Velásquez and Carolyn Brown
https://doi.org/10.17077/0021-065X.5156
Clean p. 110-120
Beth Simon
https://doi.org/10.17077/0021-065X.5158
The Age of Discovery p. 121-126
Pál Békés
https://doi.org/10.17077/0021-065X.5160
Things Human p. 127-128
Mộng Lan
https://doi.org/10.17077/0021-065X.5162
However p. 129-129
Jane Mead
https://doi.org/10.17077/0021-065X.5164
What Happens p. 130-130
Jane Mead
https://doi.org/10.17077/0021-065X.5167
Winter Scene p. 131-132
John Bensko
https://doi.org/10.17077/0021-065X.5168
Narcissus as Is p. 133-133
Elton Glaser
https://doi.org/10.17077/0021-065X.5169
Balthus Returns p. 134-134
Jon Loomis
https://doi.org/10.17077/0021-065X.5170
Un Commencement p. 135-135
Neal Dwyer
https://doi.org/10.17077/0021-065X.5171
The Moldau p. 136-137
Richard Terrill
https://doi.org/10.17077/0021-065X.5172
The Women Who Love Elvis All Their Lives p. 138-138
Fleda Brown Jackson
https://doi.org/10.17077/0021-065X.5173
The Death of Gladys Presley p. 139-139
Fleda Brown Jackson
https://doi.org/10.17077/0021-065X.5174
Too High p. 140-140
David Evett
https://doi.org/10.17077/0021-065X.5175
Coruscating Glamour: Lynda Hull and the Movies p. 141-153
Laurence Goldstein
https://doi.org/10.17077/0021-065X.5176
Lessons in Fire p. 154-167
Mary Slowik
https://doi.org/10.17077/0021-065X.5177
Little Arrow p. 168-169
Vivek Gahunia
https://doi.org/10.17077/0021-065X.5178
Two Novels by Arno Schmidt p. 170-176
Brian Lennon
https://doi.org/10.17077/0021-065X.5179
A 101 Fictions p. 177-179
Colin Hamilton
https://doi.org/10.17077/0021-065X.5180
Erotic Sufferings: "Autobiography of Red" and Other Anthropologies p. 180-188
Sharon Wahl
https://doi.org/10.17077/0021-065X.5181
Back Matter
About the Cover Image
The works on our covers this year are by Matilde Dolcetti who directs the Scuola Internationale di Grafica in Venice and was in residence with the Printmaking Department of the School of Art and Art History at Iowa in the Spring of 1998. These Venetian scenes are works on paper, etchings that are then hand colored in watercolor. The one on the present cover is 6x6 inches and its light pink wash may even hint of the flowering crabs in Iowa City.
Editors
- Editors
- David Hamilton
- Mary Hussmann
- Assistant Editors
- Kevin Larimer
- Brian Lennon
- Judith Mitchell
- Designer
- Kay Amert
- Editorial Assistants
- Mark Baechtel
- Santhosh Daniel
- Wayne Harrison
- Sara Levine
- Sarah Manguso
- Dalia Rosenfeld
- Advisory Board
- David Baldus
- Frank Conroy
- Charles Kremenak
- Leslie Simms
- Thomas Walz