Home > IOWAREVIEW > Vol. 32 (2002) > Iss. 2
Volume 32, Issue 2 (2002) Fall
Front Matter
Contents
Human Rights Index p. v-vi
University of Iowa Center for Human Rights
https://doi.org/10.17077/0021-065X.5483
October 2001 / Iowa p. 1-1
Barbara Lau
https://doi.org/10.17077/0021-065X.5485
A Girl like Summer p. 2-19
Lee Goodman
https://doi.org/10.17077/0021-065X.5486
The Elusive Something p. 20-20
Charles Simic
https://doi.org/10.17077/0021-065X.5488
Little Night Music p. 21-21
Charles Simic
https://doi.org/10.17077/0021-065X.5490
Minds Roaming p. 22-22
Charles Simic
https://doi.org/10.17077/0021-065X.5492
Slurred Words p. 23-23
Charles Simic
https://doi.org/10.17077/0021-065X.5493
Nearest Nameless p. 24-24
Charles Simic
https://doi.org/10.17077/0021-065X.5495
* p. 25-25
Simon Perchik
https://doi.org/10.17077/0021-065X.5497
Noh Robe p. 26-26
Margaret Gibson
https://doi.org/10.17077/0021-065X.5499
Bamboo Yards at Kyōbashi p. 27-27
Margaret Gibson
https://doi.org/10.17077/0021-065X.5500
At Chartres p. 28-29
James Doyle
https://doi.org/10.17077/0021-065X.5502
Here and There with Igal Sarna p. 30-36
András Petôcz and Nathaniel Barratt
https://doi.org/10.17077/0021-065X.5504
Fatso p. 37-39
Etgar Keret and Miriam Shlesinger
https://doi.org/10.17077/0021-065X.5506
Brooklyners p. 40-46
Dato Turashvili
https://doi.org/10.17077/0021-065X.5508
The Torture of Mezentius p. 47-47
Man-Sik Lee
https://doi.org/10.17077/0021-065X.5509
The Power of Sorrow p. 48-48
Man-Sik Lee
https://doi.org/10.17077/0021-065X.5511
Il Silenzio p. 49-49
Medy Loekito
https://doi.org/10.17077/0021-065X.5513
The Voyage p. 49-49
Medy Loekito
https://doi.org/10.17077/0021-065X.5515
Night Sketch (V) p. 49-49
Medy Loekito
https://doi.org/10.17077/0021-065X.5516
Love Letter p. 49-49
Medy Loekito
https://doi.org/10.17077/0021-065X.5518
The Moaning of the Subhat p. 50-66
Aida Nasralla
https://doi.org/10.17077/0021-065X.5520
Three Poems p. 67-68
Joy Goswami and Christopher Merrill
https://doi.org/10.17077/0021-065X.5521
I, Charlotte, Comme Il Faut p. 69-75
Norge Espinosa, Daniel Balderston, and Christopher Merrill
https://doi.org/10.17077/0021-065X.5523
The Good Are Bad for Business p. 76-76
Matthea Harvey
https://doi.org/10.17077/0021-065X.5525
Transcendentalism p. 77-81
Tony Whedon
https://doi.org/10.17077/0021-065X.5527
Typhoon p. 82-82
Tony Whedon
https://doi.org/10.17077/0021-065X.5529
240 Sneakers p. 83-83
Mark Halliday
https://doi.org/10.17077/0021-065X.5530
Dowry p. 84-84
Carrie Pollack
https://doi.org/10.17077/0021-065X.5532
Island of Three Pines p. 85-91
Peter Walpole
https://doi.org/10.17077/0021-065X.5534
Ruby, Wanda and Me, Late at Night, in the County Jail p. 92-99
Valerie Hurley
https://doi.org/10.17077/0021-065X.5536
Coyote p. 100-101
Brian Swann
https://doi.org/10.17077/0021-065X.5537
The Skull p. 102-103
Brian Swann
https://doi.org/10.17077/0021-065X.5539
My Moon p. 104-104
Wendy Bishop
https://doi.org/10.17077/0021-065X.5541
Without Oceans p. 105-105
Wendy Bishop
https://doi.org/10.17077/0021-065X.5543
Galley-West p. 106-106
Michael Carlson
https://doi.org/10.17077/0021-065X.5544
Love for the Wrong Thing p. 107-107
Michael Carlson
https://doi.org/10.17077/0021-065X.5546
Jack Frost Sugar Refinery p. 108-109
Michael Carlson
https://doi.org/10.17077/0021-065X.5548
Today Is the Kamakura Period p. 110-110
Michael Carlson
https://doi.org/10.17077/0021-065X.5549
Ruben and Norma p. 111-125
Oscar Casares
https://doi.org/10.17077/0021-065X.5551
Five Feelings for Orpheus p. 126-127
Reginald Shepherd
https://doi.org/10.17077/0021-065X.5553
Modernism p. 128-128
Reginald Shepherd
https://doi.org/10.17077/0021-065X.5555
This Time p. 129-130
Robert Dana
https://doi.org/10.17077/0021-065X.5556
Two Hundred Acres: First Draft of a Coroner's Report p. 131-132
George Murray
https://doi.org/10.17077/0021-065X.5558
A Long Dead Woman from Bethany Is Saddened to See Lazarus Swept Away p. 133-134
George Murray
https://doi.org/10.17077/0021-065X.5560
The Funeral p. 135-141
Karl Harshbarger
https://doi.org/10.17077/0021-065X.5562
Godless in India p. 142-144
Jason DeBoer
https://doi.org/10.17077/0021-065X.5563
Kosovo p. 145-147
Tom Wayman
https://doi.org/10.17077/0021-065X.5565
Thorn p. 148-148
E. G. Burrows
https://doi.org/10.17077/0021-065X.5567
Lullaby p. 149-149
Paul Lake
https://doi.org/10.17077/0021-065X.5569
First Aid Refresher p. 150-150
Taylor Graham
https://doi.org/10.17077/0021-065X.5570
In Memory of Hegel, Philosopher among Toque Macaques p. 151-152
Dana Sonnenschein
https://doi.org/10.17077/0021-065X.5572
Poem Ending on a Line of Celan p. 153-153
Carol Ann Davis
https://doi.org/10.17077/0021-065X.5574
Emersonian Transition in James Tate's "The Lost Pilot" p. 154-163
Brian Henry
https://doi.org/10.17077/0021-065X.5575
Ground of Thought: Notes on Style in Some Recent Essays on American Culture p. 164-174
Lyall Bush
https://doi.org/10.17077/0021-065X.5576
Back Matter
About the Cover Image
Alexander S. Gourlay's "Year of The Horse" (4" 'x 3") is the second in a series of three Chinese zodiac-inspired woodcuts featured this year. Gourlay lives in Providence, Rhode Island.
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