Home > IOWAREVIEW > Vol. 34 (2004) > Iss. 2
Volume 34, Issue 2 (2004) Fall
Front Matter
Contents
Human Rights Index p. v-vi
University of Iowa Center for Human Rights
https://doi.org/10.17077/0021-065X.5782
The Sugar Shell p. 1-18
Cynthia Struloeff
https://doi.org/10.17077/0021-065X.5784
A Grave p. 19-19
Elizabeth Spires
https://doi.org/10.17077/0021-065X.5786
White Room p. 20-20
Elizabeth Spires
https://doi.org/10.17077/0021-065X.5788
Heat Wave p. 21-21
Floyd Skloot
https://doi.org/10.17077/0021-065X.5790
Soft Flame p. 22-22
Floyd Skloot
https://doi.org/10.17077/0021-065X.5791
The Idea of Two p. 23-23
Charles Freeland
https://doi.org/10.17077/0021-065X.5794
No Homo p. 24-24
Douglas Goetsch
https://doi.org/10.17077/0021-065X.5795
Sister p. 25-25
Douglas Goetsch
https://doi.org/10.17077/0021-065X.5797
Open Land p. 26-26
Joanna Klink
https://doi.org/10.17077/0021-065X.5799
To Eagle Pond p. 27-35
Donald Hall
https://doi.org/10.17077/0021-065X.5801
American Triptych: At the Store; Down the Road; Potluck at the Wilmot Flat Baptist Church p. 36-37
Jane Kenyon
https://doi.org/10.17077/0021-065X.5803
The Altitudes of Dream p. 38-44
Jonis Agee
https://doi.org/10.17077/0021-065X.5805
A Journey Prayer p. 45-46
John Kinsella
https://doi.org/10.17077/0021-065X.5807
Crop Duster Jerk-off: A Poetry of Abuse p. 47-47
John Kinsella
https://doi.org/10.17077/0021-065X.5809
Some: An Ode to the Partitive Article p. 48-48
John Kinsella
https://doi.org/10.17077/0021-065X.5811
Entertaining Your Father in the Netherlands p. 49-50
Katrina Vandenberg
https://doi.org/10.17077/0021-065X.5812
Remembering Him Dying p. 51-51
Katrina Vandenberg
https://doi.org/10.17077/0021-065X.5814
Detroit, 1976 p. 52-52
Joe Cislo
https://doi.org/10.17077/0021-065X.5816
Life Together p. 53-53
Jerry Harp
https://doi.org/10.17077/0021-065X.5818
Dawn p. 54-55
Jerry Harp
https://doi.org/10.17077/0021-065X.5820
On the Bus p. 56-64
Nami Mun
https://doi.org/10.17077/0021-065X.5822
Rite Anthropologique p. 65-69
Terese Svoboda
https://doi.org/10.17077/0021-065X.5824
Las Vueltas p. 70-77
Gretchen E. Henderson
https://doi.org/10.17077/0021-065X.5826
The President's Dream p. 78-78
Matthew Rohrer
https://doi.org/10.17077/0021-065X.5828
To Ease My Mind p. 79-80
Kathleen Flenniken
https://doi.org/10.17077/0021-065X.5830
Otherness p. 81-81
Andrew Michael Roberts
https://doi.org/10.17077/0021-065X.5832
A Lamb by Its Ma p. 82-82
Chase Twichell
https://doi.org/10.17077/0021-065X.5834
No One's Mother p. 83-83
Chase Twichell
https://doi.org/10.17077/0021-065X.5836
The Goldfish p. 84-84
David Hernandez
https://doi.org/10.17077/0021-065X.5838
The Ground Floor p. 85-96
Yiyun Li
https://doi.org/10.17077/0021-065X.5840
Where the Membrane Is Thinnest: Others; To the People of America: A Scientifick Discovery!!!; Stage One; The Most Ancient Light in Existence; Their Names; Art p. 97-104
Albert Goldbarth
https://doi.org/10.17077/0021-065X.5842
Spelling Test p. 105-105
Lisa Gluskin
https://doi.org/10.17077/0021-065X.5844
Monday at the Zoo p. 106-106
Sonja James
https://doi.org/10.17077/0021-065X.5846
Suddenly in Grace p. 107-107
Honorée Fanonne Jeffers
https://doi.org/10.17077/0021-065X.5847
Just Produce: A Meditation on Time & Materials, Past & Present p. 108-130
Joe Amato
https://doi.org/10.17077/0021-065X.5849
Small Confession p. 131-131
Shimon Adaf
https://doi.org/10.17077/0021-065X.5851
Ending p. 132-132
Shimon Adaf and Aviya Kushner
https://doi.org/10.17077/0021-065X.5853
[Two Men Stand Beside] p. 133-133
Brit Bildøen
https://doi.org/10.17077/0021-065X.5855
But There Are Such Days p. 134-134
Brit Bildøen
https://doi.org/10.17077/0021-065X.5857
The Giant Has Hidden His Heart p. 135-135
Naomi K. Long and Brit Bildøen
https://doi.org/10.17077/0021-065X.5859
Return from Exile p. 136-136
Denisa Comanescu and Adrian G. Sahlean
https://doi.org/10.17077/0021-065X.5861
One Ona p. 137-140
Leopoldo Brizuela
https://doi.org/10.17077/0021-065X.5863
Red Moon: Notes on the Craft of the Firekeeper in the Canoe Tribes of Tierra del Fuego p. 141-143
Leopoldo Brizuela and Curtis Bauer
https://doi.org/10.17077/0021-065X.5865
The Funeral p. 144-149
Gabor Szanto and Orsolya Frank
https://doi.org/10.17077/0021-065X.5867
Button p. 150-150
Maggie Smith
https://doi.org/10.17077/0021-065X.5868
Berryman's Father p. 151-156
David Ray
https://doi.org/10.17077/0021-065X.5870
Blue Horses p. 157-157
Walter Griffin
https://doi.org/10.17077/0021-065X.5872
The Tomato p. 158-158
Walter Griffin
https://doi.org/10.17077/0021-065X.5874
Piggies p. 159-169
Mark Walters
https://doi.org/10.17077/0021-065X.5875
Simic's Surrealist Metaphysics: A Review of Charles Simic, "The Voice at 3:00 A.M.: Selected Late and New Poems" p. 170-175
Jerry Harp
https://doi.org/10.17077/0021-065X.5876
Back Matter

About the Cover Image
Our cover features the work of Joseph Patrick, professor emeritus of painting, who has, for many years, drawn portraits of his students. "Teaching life drawing," he says, "has sometimes been like dreaming, filled with the known as well as the unexpected."
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