Theses/Dissertations from 2018
Cernuto, Joseph Raymond (2018), Analytical, interpretative, and performance guides for conductors and soloists to John Mackey's Harvest: concerto for trombone, Drum music: concerto for percussion, and Antique violences: concerto for trumpet
https://doi.org/10.17077/etd.bnetk4qe
Chiou, Jing-Fu Jeffrey (2018), Using Lao Tzu’s Tao Te Ching to cultivate a Classical performing musician’s professional mindset
https://doi.org/10.17077/etd.9ess53jn
Cummins, John (2018), The saxophone music of Thierry Escaich
https://doi.org/10.17077/etd.0nyo-qdwy
Dolter, Elizabeth (2018), Learning with the classics: an instructional anthology for the elementary to late intermediate pianist
https://doi.org/10.17077/etd.lhgz9mri
Elrod, Jonah Lloyd (2018), Lilliputian Arctic deviation
https://doi.org/10.17077/etd.6gidg51y
Gaetgaeow, Marisa Lily (2018), Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets
https://doi.org/10.17077/etd.ib5o-slgf
Gorin, Pablo César (2018), Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers
https://doi.org/10.17077/etd.c7ra2yif
Hasan, Jeiran Zikretgizi (2018), A performance guide and comparison of three twentieth-century Azerbaijani flute compositions composed by Fikret Amirov, Arif Melikov, and Tofiq Bakihanov
https://doi.org/10.17077/etd.p3cjug77
Kwok, Koi Hin Samuel (2018), The life and choral works of the Hong Kong composer Lin Sheng-shih (林聲翕) (1914-1991)
https://doi.org/10.17077/etd.2kmb7zxq
Landowski, Natalie Katherine (2018), Practical Hummel: a guide for pianists and piano teachers on how to use Johann Nepomuk Hummel's treatise today
https://doi.org/10.17077/etd.8w07iluk
Laur, Benjamin Douglas (2018), The oddities, an entertainment by Charles Dibdin, transcribed and engraved with accompanying notes
https://doi.org/10.17077/etd.hl0xetkh
Lucas, Sarah Marie (2018), Fritz Reiner and the legacy of Béla Bartók’s orchestral music in the United States
https://doi.org/10.17077/etd.1qfy-airq
Maas, Jeremy (2018), Last goodnight amidst superior fog
https://doi.org/10.17077/etd.w0z9iqor
Mahaffey, Matthew Ray (2018), A performance guide to Robert Lemay’s Ariana, Kaboul for alto saxophone and film
https://doi.org/10.17077/etd.39dizrty
Miguel, Nicholas Edward (2018), The art songs of Modesta Bor (1926-1998)
https://doi.org/10.17077/etd.gumycmue
Nakielski, Christopher John (2018), A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer
https://doi.org/10.17077/etd.6mbm4x7w
Nguyen, Hang Thi Tuyet (2018), Audiences’ engagement with Twitter and Facebook Live during classical music performances: community and connectivity through live listening experiences
https://doi.org/10.17077/etd.ipok-yuoj
Norling, Cody Andrew (2018), Operatic egalitarianism: English-language opera, Redpath Chautauqua, and the May Valentine Opera Company
https://doi.org/10.17077/etd.c2lc-hdo7
Parker, Robert Carlisle (2018), A performance guide for trombone quartet: an application of pedagogical concepts and techniques for developing ensembles
https://doi.org/10.17077/etd.fd22zko8
Peng, Wenjuan (2018), Complete solo piano suites by Rodion Shchedrin
https://doi.org/10.17077/etd.smjrmepf
Ponomarchuk, Aleksandr (2018), Tempo and rhythmical principles al rigore and flessibile in selected works by Nikolai Medtner: a study and recording
https://doi.org/10.17077/etd.412riknz
Scheivert, Joseph Elliot (2018), Big life. Big stage. Big Ten. an examination of Big Ten Conference marching band policies and procedures concerning social media, copyright, relationships with athletic departments, and behavioral expectations
https://doi.org/10.17077/etd.hc5dw9fy
Short, Bernard Kashmere (2018), Huzuni
https://doi.org/10.17077/etd.dycs-n744
Simmons, Jacob Paul (2018), While converging
https://doi.org/10.17077/etd.4313bju3
Smith, Ryan Joseph (2018), Dodecaphonic practices and tonal idioms in Frank Martin's Ballade for saxophone and orchestra
https://doi.org/10.17077/etd.2dg7sqf4
T. Gougler, Kylie (2018), Czech arias for soprano: an anthology
https://doi.org/10.17077/etd.9k55b482
Thrall, Helen Ninoska (2018), The piano music of Juan Francisco Garcia
https://doi.org/10.17077/etd.zffi-977w
Ties, Bo Michael (2018), An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician
https://doi.org/10.17077/etd.w3vufrqg
Van Waardhuizen, Sarah Nicole (2018), Perceptions of administrative autonomy-support and teacher autonomy-support in music education
https://doi.org/10.17077/etd.15c6o6i6
VonKamp, Rebecca Lee (2018), Contemporary art song of the United States: a graded handbook
https://doi.org/10.17077/etd.elp6kzh1
Widstrand, Alex Christopher (2018), Lev Konstantinovich Knipper's concerto for bassoon and string orchestra: introduction and critical performing edition
https://doi.org/10.17077/etd.hrub7lpe
Xu, Mo (2018), The high finger piano technique in China: past, present, and future
https://doi.org/10.17077/etd.958y0uxp
Yancey, Benjamin Phillip (2018), Patterns in symmetry: approaching steelpan technique, performance and teaching through an understanding of instrument design
https://doi.org/10.17077/etd.hq1m4d3e
Ziegler, Janet Brehm (2018), A pedagogical guide for extended and extreme vocal techniques used in contemporary classical vocal music
https://doi.org/10.17077/etd.z3k3-cj0s
Theses/Dissertations from 2017
Augspurger, Christine Anne (2017), Transience: An Album-Length Recording for Solo Percussion and Electronics
https://doi.org/10.17077/etd.4zlaj6fr
Burke, Christine (2017), From the signal
https://doi.org/10.17077/etd.gb3jzuwe
Chen, Yiqun (2017), An introduction and analysis of Henry Lindeman’s Method for saxophone
https://doi.org/10.17077/etd.fryagx77
Deignan, Ryan P. (2017), K-12 music teacher-to-teacher collaboration in Iowa : an exploratory pilot study
https://doi.org/10.17077/etd.0vnpnjib
Gravelle, Shannon Marie (2017), A preliminary study of the choral works and style of Sergei Taneyev
https://doi.org/10.17077/etd.mhqle3mu
Gray, Megan (2017), Teaching music entrepreneurship in the chamber music classroom: a cross-disciplinary curricular framework
https://doi.org/10.17077/etd.pan3cqo1
Hagiwara, Asami (2017), Guide to the published solo piano music of Jean Sibelius (1865–1957)
https://doi.org/10.17077/etd.ucaducmv
Hamidi Ghalehjegh, Nima (2017), Visualizing temporality in music: music perception – feature extraction
https://doi.org/10.17077/etd.gba7j8n8
Hedges, Jared William (2017), The Old Forge at Satis House for string quintet and piano
https://doi.org/10.17077/etd.tnm778h5
Hsu, Timothy (2017), El Sistema USA: an exploratory study of the pedagogical approaches in beginning violin classes
https://doi.org/10.17077/etd.9177188e
Kizzire, Jessica (2017), Hearing Wonderland: aural adaptation and Carroll's classic tale
https://doi.org/10.17077/etd.8ujillte
Lertpibulchai, Korak (2017), Siam Sonata: Thai Solo Piano Works
https://doi.org/10.17077/etd.iguz6aaw
Mayer, Germano Gastal (2017), A translation of João Domingos Bomtempo's piano method: a Portuguese contribution to piano pedagogy
https://doi.org/10.17077/etd.71958z48
Newbold, Gregory Scott (2017), Benjamin Frankel's serial film score for The curse of the werewolf: an historical context and analysis
https://doi.org/10.17077/etd.87jntusp
Price-Brenner, Paul Alan (2017), Concerto for viola section and orchestra
https://doi.org/10.17077/etd.c38zzbsk
Reagan, Mark (2017), John Wilson’s Psalterium carolinum (London, 1657): a critical edition and commentary
https://doi.org/10.17077/etd.7r11apa4
Rudd, Philip Christopher (2017), Countess, conductor, pioneer: Lady Radnor and the phenomenon of the Victorian Ladies’ Orchestra
https://doi.org/10.17077/etd.mgcx8ncr
Saunders, Jessica Anne (2017), Songs of the Kalevala: art song inspired by the Finnish national epic
https://doi.org/10.17077/etd.kpdxcaad
Schnack, Michael (2017), Jean Berger's staged choruses as a concurrence of biographical and artistic reinvention
https://doi.org/10.17077/etd.1yiszix1
Son, Eunkyung (2017), A performance guide: new cello compositions by Serra Miyeun Hwang
https://doi.org/10.17077/etd.0cefn3fi
Strohschein, Aura (2017), A performer's guide to Jody Nagel's "Concerto in B for piano and orchestra."
https://doi.org/10.17077/etd.2bs3g0oi
Struve, Jonathon Paul (2017), Friedrich Hollaender and the art of writing songs for the cabaret
https://doi.org/10.17077/etd.zroi5p1j
Wanken, Matthew David (2017), A 'Mity' life: the career of Miles H. Johnson
https://doi.org/10.17077/etd.01vgbkxl
Wilson, Jonathan James (2017), Ghosts before breakfast for chamber ensemble and electronics and a history of the electronic music studios of the University of Iowa (1964-2017)
https://doi.org/10.17077/etd.tmtad9y9
Theses/Dissertations from 2016
Allnatt Mallory, Leslie Jane (2016), The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
https://doi.org/10.17077/etd.hn8786p5
Bailey, Brian Keith (2016), George Bristow's Mass in C for choir and orchestra (1885): critical edition and commentary
https://doi.org/10.17077/etd.nr8mk6uf
Corley, Scott Randolph (2016), Thomas Lee Dvorak: a career as music educator and conductor
https://doi.org/10.17077/etd.c5wjs6gu
Cuffman, Timothy James (2016), A practical introduction to just intonation through string quartet playing
https://doi.org/10.17077/etd.bvwmxy9h
Eernisse, Elliot Adam (2016), Overcoming technical and musical challenges for the oboe using excerpts from orchestral and solo repertoire
https://doi.org/10.17077/etd.dgcwkot3
Fenton-Miller, Solomon (2016), Compositional strategies in Alfred Schnittke’s early polystylism
https://doi.org/10.17077/etd.n8esur28
Iogansen, Leonid (2016), Traces of wind (2015-2016) : for guzheng, orchestra and other soloists
https://doi.org/10.17077/etd.9xrxbw9w
Lickiss Aleo, Angela (2016), The oboe and English horn works of Ross Edwards and his place in Australian music
https://doi.org/10.17077/etd.jhuw1ld3
Liu, Wenjing (2016), Prokofiev's Tales of old grandmother, Op. 31: a performance and pedagogical guide
https://doi.org/10.17077/etd.7re3vla1
Marquez, Joshua Tyler (2016), Aperture Assonance
https://doi.org/10.17077/etd.y2o34s12
Meyer, Kati Marie (2016), Emotion in the music of Elton John
https://doi.org/10.17077/etd.rlkxsc7u
Neher, Lisa Rose Julianna (2016), The chamber vocal works of Gabriela Lena Frank
https://doi.org/10.17077/etd.eocimpfj
Platt, Kelsey Elyse (2016), Developing metacognitive and self-regulated learning skills through reflective writing prompts
https://doi.org/10.17077/etd.9m0bstjb
Price-Brenner, Kevin (2016), Pedagogical transcriptions for teaching two advanced works for cello : Beethoven’s Sonata for cello and piano no. 3 in A major, op. 69 and Haydn’s Cello concerto no. 1 in C major, Hob.VIIb.1
https://doi.org/10.17077/etd.dj1ojoyo
Prim, Shih-Ni (2016), Mahler in Utah : Maurice Abravanel and the Utah Symphony's performances and recordings of Gustav Mahler's symphonies (1951-1979)
https://doi.org/10.17077/etd.61utqk1k
Rich, Erin Marie (2016), Accent patterns in text and music in the songs of Amy Beach, Richard Strauss, and Camille Saint-Saëns
https://doi.org/10.17077/etd.oz11wga7
Rowles, Carl Thomas (2016), Ingolf Dahl’s Concerto for alto saxophone and wind orchestra: a revised edition
https://doi.org/10.17077/etd.sfdxxfx3
Szabó, Zsolt (2016), Dr. Gusztáv Höna : his performance and pedagogical career and contributions to the development of the Hungarian trombone school
https://doi.org/10.17077/etd.dyg2njrn
Veit, Andrew Gregory (2016), Developing a curriculum for the study of jazz vibraphone available through the online community, the vibesworkshop.com
https://doi.org/10.17077/etd.e27bimiw
Wilhelm, Lindsey Anne (2016), Accessibility of music experiences for individuals with age-related hearing loss
https://doi.org/10.17077/etd.cskpu19x
Yannavut, Wannapha (2016), An exploration of Thai traditional music for Western percussion instruments
https://doi.org/10.17077/etd.hrz2wnbk
Yates, Benjamin (2016), One hundred years of band tradition at Luther College
https://doi.org/10.17077/etd.jp0l4djn
Zayas Cabán, José Antonio (2016), Dodecaphonic and symmetrical processes in the first movement of Jindřich Feld’s Sonata for alto saxophone
https://doi.org/10.17077/etd.48mkvui0
Theses/Dissertations from 2015
Anderson, Quiliano Niñeza (2015), Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire
https://doi.org/10.17077/etd.hivytk5h
Bloomberg, Jennifer Marie Wohlenhaus (2015), Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment
https://doi.org/10.17077/etd.qdemea34
Bush, Eric Wayne (2015), The history of the Big Ten Band Directors Association (1971-2015)
https://doi.org/10.17077/etd.8i4sgih2
Chen, Chun-Ming (2015), Mountain and farmland, a Hakka-style suite by Taiwanese composer Tai-Hsiang Li
https://doi.org/10.17077/etd.9pjooh33
Cunningham, Jennifer Ann Reinert (2015), A critical edition of Johann Christoph Schultze’s Six sonatas for two flutes without basso and a chaconne for two equal voices in canon
https://doi.org/10.17077/etd.t1esr76p
De Avila, Nathaniel A. Y. (2015), Effects of a culturally relevant music education intervention on choir members’ attitudes toward Mexican populations
https://doi.org/10.17077/etd.re7dwmcn
DeLong, Noah David (2015), Between two worlds : Mario Castelnuovo-Tedesco, his journey from Italy to America, and his oratorio "The book of Ruth"
https://doi.org/10.17077/etd.41idan6e
Ferguson, Colleen Renee (2015), Charles Villiers Stanford String Quartet No. 4 in G Minor, Op. 99 a critical performance edition
https://doi.org/10.17077/etd.77t2mupv
Gardner, Kimberly Rene (2015), Critical analysis of culturally relevant pedagogy and its application to a sixth grade general music classroom
https://doi.org/10.17077/etd.veo8159v
Gotlund, Elizabeth Anne (2015), A guide to chant in Charles Tournemire's L'orgue mystique
https://doi.org/10.17077/etd.pxnadiv3
Houglum, Daniel Patrick (2015), Sola fides sufficit: Concerto for violin and ensemble
https://doi.org/10.17077/etd.9v4uc447
Jepson, Steven Baker (2015), The forgotten Don Quichotte: Trois chansons and the early vocal style of Marcel Delannoy
https://doi.org/10.17077/etd.9zxj9zl4
Kessler, Kevin Wayne (2015), "We are the pride!" : a history of the South Dakota State University marching band from 1886 to 2015
https://doi.org/10.17077/etd.71giwicr
Kim, Seong-Sil (2015), A pedagogical approach and performance guide to Musical toys by Sofia Gubaidulina
https://doi.org/10.17077/etd.iy6jnfdz
Koberstein, Gustavo Herman (2015), Francisco Mignone's Concertino para clarineta e fagote: A performance edition
https://doi.org/10.17077/etd.mxuzs47k
Lang, Jacqueline (2015), The identity of Curley's wife in Carlisle Floyd's Of mice and men
https://doi.org/10.17077/etd.nkjb3vzk
McGinnis, Kelsey Kramer (2015), “The purest pieces of home” : German POWs making German music in Iowa
https://doi.org/10.17077/etd.b30ebo56
Naigus, James Andrew (2015), A creative pedagogical approach to the continuum of tonality to atonality for the horn through sixty progressive etudes
https://doi.org/10.17077/etd.4aag4bgm
Palamara, Jason Andrew (2015), Dysphonia, for solo violin, chamber ensemble and live electronics
https://doi.org/10.17077/etd.lywr7ikf