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Theses/Dissertations from 2019

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Beyer, Day McMaster (2019), Eclipses and penumbra
https://doi.org/10.17077/etd.d4jn-i5ht

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Cotallo Solares, Carlos (2019), Generations 3.1
https://doi.org/10.17077/etd.4yjm-a6s1

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Dempsey, Lydia (2019), Through boundaries
https://doi.org/10.17077/etd.o0zt-iy9n

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Dilokkunanant, Komsun (2019), Strategies for classical music audiences: an exploration of existing practices used by western European art music organizations
https://doi.org/10.17077/etd.cb78-ac80

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Dino, Rose M. (2019), Contemporary ties: wedding 20th-century musical theatre to opera using the same source material
https://doi.org/10.17077/etd.9y3h-wp3l

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Filippelli, Nathanael Thomas Antonio (2019), An annotated bibliography of modernist non-tonal piano music for the late-beginner to late-intermediate levels
https://doi.org/10.17077/etd.dz2c-lq6g

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Gentzsch, Andrew Charles (2019), Technique builders with a pedagogical approach to new music proficiency
https://doi.org/10.17077/etd.0dpk-f45u

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Hauta, Nolan Andrew (2019), Aaron Perrine’s It has to be beautiful: concerto for alto saxophone and wind ensemble – an analysis, conductor’s guide, and soloist’s guide
https://doi.org/10.17077/etd.u2ks-2dxu

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Hendrickson, Tyler John (2019), John Blackwood McEwen Sonata in A minor for viola and piano (1941): a critical performance edition
https://doi.org/10.17077/etd.663q-ve72

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Katz, Tyler (2019), Amidah - תפילת העמידה
https://doi.org/10.17077/etd.167n-n57d

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Lau, Pui Yan Ronald (2019), Two symphonic transcriptions for solo piano: Ferdinand Hiller’s Symphony in E minor, op. 67, “Es muβ doch Frühling werden” (“But spring must come”) and Robert Schumann’s Symphony no. 2 in C major, op. 61
https://doi.org/10.17077/etd.nkjx-390b

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Loes, Trevor Allen (2019), Jacobo Ficher, Argentine composer, and his Rapsodia, op. 88 for mixed choir and saxophone quartet
https://doi.org/10.17077/etd.vol8-3w8w

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Molina, Oliver Neil (2019), The percussion music of Marc Mellits: 1994-2016
https://doi.org/10.17077/etd.e2qk-wsi9

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Mumme, Lisa Pollock Mumme (2019), Not things: gender and music in the Mad Max franchise
https://doi.org/10.17077/etd.4tsr-bxw1

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Norman, Joseph Barnett (2019), Seed-turbulence-iteration
https://doi.org/10.17077/etd.5v65-pgdf

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Pape, Rebecca Carolan (2019), Threads of the moment
https://doi.org/10.17077/etd.z7af-0srv

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Reschke-Hernández, Alaine Elizabeth (2019), A clinical practice model of music therapy to address psychosocial functioning for persons with dementia: model development and randomized clinical crossover trial
https://doi.org/10.17077/etd.59oh-y06y

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Seybert, Austin (2019), The versatile trombonist: a curriculum based model for improving audiation skills for the 21st century trombonist
https://doi.org/10.17077/etd.f37y-6m47

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Spyrou, Alexandros (2019), Liquid identity in music composition
https://doi.org/10.17077/etd.4wfg-s7qa

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Tavares Furtado, Rebeca (2019), An annotated catalog of works by women composers for the double bass
https://doi.org/10.17077/etd.ie8b-jmt8

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Toro-Tóbon, Carlos I. (2019), Fundamental dissonance: concertino for alto saxophone and sinfonietta
https://doi.org/10.17077/etd.vvyv-97k4

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Tubbs, Andrew (2019), Sounding the feeble mind: musical reactions to the American eugenics movement in Of Mice and Men (1939) and Oklahoma! (1955)
https://doi.org/10.17077/etd.tjn7-1uys

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Zhang, Tieyi (2019), The first generation of Chinese art song
https://doi.org/10.17077/etd.46dy-8j9t

Theses/Dissertations from 2018

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Cernuto, Joseph Raymond (2018), Analytical, interpretative, and performance guides for conductors and soloists to John Mackey's Harvest: concerto for trombone, Drum music: concerto for percussion, and Antique violences: concerto for trumpet
https://doi.org/10.17077/etd.bnetk4qe

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Cummins, John (2018), The saxophone music of Thierry Escaich
https://doi.org/10.17077/etd.0nyo-qdwy

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Dolter, Elizabeth (2018), Learning with the classics: an instructional anthology for the elementary to late intermediate pianist
https://doi.org/10.17077/etd.lhgz9mri

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Elrod, Jonah Lloyd (2018), Lilliputian Arctic deviation
https://doi.org/10.17077/etd.6gidg51y

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Gaetgaeow, Marisa Lily (2018), Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets
https://doi.org/10.17077/etd.ib5o-slgf

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Gorin, Pablo César (2018), Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers
https://doi.org/10.17077/etd.c7ra2yif

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Hasan, Jeiran Zikretgizi (2018), A performance guide and comparison of three twentieth-century Azerbaijani flute compositions composed by Fikret Amirov, Arif Melikov, and Tofiq Bakihanov
https://doi.org/10.17077/etd.p3cjug77

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Kwok, Koi Hin Samuel (2018), The life and choral works of the Hong Kong composer Lin Sheng-shih (林聲翕) (1914-1991)
https://doi.org/10.17077/etd.2kmb7zxq

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Landowski, Natalie Katherine (2018), Practical Hummel: a guide for pianists and piano teachers on how to use Johann Nepomuk Hummel's treatise today
https://doi.org/10.17077/etd.8w07iluk

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Laur, Benjamin Douglas (2018), The oddities, an entertainment by Charles Dibdin, transcribed and engraved with accompanying notes
https://doi.org/10.17077/etd.hl0xetkh

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Lucas, Sarah Marie (2018), Fritz Reiner and the legacy of Béla Bartók’s orchestral music in the United States
https://doi.org/10.17077/etd.1qfy-airq

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Maas, Jeremy (2018), Last goodnight amidst superior fog
https://doi.org/10.17077/etd.w0z9iqor

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Mahaffey, Matthew Ray (2018), A performance guide to Robert Lemay’s Ariana, Kaboul for alto saxophone and film
https://doi.org/10.17077/etd.39dizrty

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Miguel, Nicholas Edward (2018), The art songs of Modesta Bor (1926-1998)
https://doi.org/10.17077/etd.gumycmue

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Nakielski, Christopher John (2018), A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer
https://doi.org/10.17077/etd.6mbm4x7w

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Nguyen, Hang Thi Tuyet (2018), Audiences’ engagement with Twitter and Facebook Live during classical music performances: community and connectivity through live listening experiences
https://doi.org/10.17077/etd.ipok-yuoj

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Parker, Robert Carlisle (2018), A performance guide for trombone quartet: an application of pedagogical concepts and techniques for developing ensembles
https://doi.org/10.17077/etd.fd22zko8

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Peng, Wenjuan (2018), Complete solo piano suites by Rodion Shchedrin
https://doi.org/10.17077/etd.smjrmepf

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Ponomarchuk, Aleksandr (2018), Tempo and rhythmical principles al rigore and flessibile in selected works by Nikolai Medtner: a study and recording
https://doi.org/10.17077/etd.412riknz

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Scheivert, Joseph Elliot (2018), Big life. Big stage. Big Ten. an examination of Big Ten Conference marching band policies and procedures concerning social media, copyright, relationships with athletic departments, and behavioral expectations
https://doi.org/10.17077/etd.hc5dw9fy

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Short, Bernard Kashmere (2018), Huzuni
https://doi.org/10.17077/etd.dycs-n744

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Simmons, Jacob Paul (2018), While converging
https://doi.org/10.17077/etd.4313bju3

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Smith, Ryan Joseph (2018), Dodecaphonic practices and tonal idioms in Frank Martin's Ballade for saxophone and orchestra
https://doi.org/10.17077/etd.2dg7sqf4

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T. Gougler, Kylie (2018), Czech arias for soprano: an anthology
https://doi.org/10.17077/etd.9k55b482

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Thrall, Helen Ninoska (2018), The piano music of Juan Francisco Garcia
https://doi.org/10.17077/etd.zffi-977w

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Ties, Bo Michael (2018), An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician
https://doi.org/10.17077/etd.w3vufrqg

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Van Waardhuizen, Sarah Nicole (2018), Perceptions of administrative autonomy-support and teacher autonomy-support in music education
https://doi.org/10.17077/etd.15c6o6i6

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VonKamp, Rebecca Lee (2018), Contemporary art song of the United States: a graded handbook
https://doi.org/10.17077/etd.elp6kzh1

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Widstrand, Alex Christopher (2018), Lev Konstantinovich Knipper's concerto for bassoon and string orchestra: introduction and critical performing edition
https://doi.org/10.17077/etd.hrub7lpe

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Xu, Mo (2018), The high finger piano technique in China: past, present, and future
https://doi.org/10.17077/etd.958y0uxp

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Yancey, Benjamin Phillip (2018), Patterns in symmetry: approaching steelpan technique, performance and teaching through an understanding of instrument design
https://doi.org/10.17077/etd.hq1m4d3e

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Ziegler, Janet Brehm (2018), A pedagogical guide for extended and extreme vocal techniques used in contemporary classical vocal music
https://doi.org/10.17077/etd.z3k3-cj0s

Theses/Dissertations from 2017

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Augspurger, Christine Anne (2017), Transience: An Album-Length Recording for Solo Percussion and Electronics
https://doi.org/10.17077/etd.4zlaj6fr

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Burke, Christine (2017), From the signal
https://doi.org/10.17077/etd.gb3jzuwe

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Chen, Yiqun (2017), An introduction and analysis of Henry Lindeman’s Method for saxophone
https://doi.org/10.17077/etd.fryagx77

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Deignan, Ryan P. (2017), K-12 music teacher-to-teacher collaboration in Iowa : an exploratory pilot study
https://doi.org/10.17077/etd.0vnpnjib

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Gravelle, Shannon Marie (2017), A preliminary study of the choral works and style of Sergei Taneyev
https://doi.org/10.17077/etd.mhqle3mu

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Gray, Megan (2017), Teaching music entrepreneurship in the chamber music classroom: a cross-disciplinary curricular framework
https://doi.org/10.17077/etd.pan3cqo1

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Hagiwara, Asami (2017), Guide to the published solo piano music of Jean Sibelius (1865–1957)
https://doi.org/10.17077/etd.ucaducmv

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Hamidi Ghalehjegh, Nima (2017), Visualizing temporality in music: music perception – feature extraction
https://doi.org/10.17077/etd.gba7j8n8

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Hedges, Jared William (2017), The Old Forge at Satis House for string quintet and piano
https://doi.org/10.17077/etd.tnm778h5

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Hsu, Timothy (2017), El Sistema USA: an exploratory study of the pedagogical approaches in beginning violin classes
https://doi.org/10.17077/etd.9177188e

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Kizzire, Jessica (2017), Hearing Wonderland: aural adaptation and Carroll's classic tale
https://doi.org/10.17077/etd.8ujillte

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Lertpibulchai, Korak (2017), Siam Sonata: Thai Solo Piano Works
https://doi.org/10.17077/etd.iguz6aaw

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Mayer, Germano Gastal (2017), A translation of João Domingos Bomtempo's piano method: a Portuguese contribution to piano pedagogy
https://doi.org/10.17077/etd.71958z48

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Newbold, Gregory Scott (2017), Benjamin Frankel's serial film score for The curse of the werewolf: an historical context and analysis
https://doi.org/10.17077/etd.87jntusp

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Price-Brenner, Paul Alan (2017), Concerto for viola section and orchestra
https://doi.org/10.17077/etd.c38zzbsk

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Reagan, Mark (2017), John Wilson’s Psalterium carolinum (London, 1657): a critical edition and commentary
https://doi.org/10.17077/etd.7r11apa4

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Rudd, Philip Christopher (2017), Countess, conductor, pioneer: Lady Radnor and the phenomenon of the Victorian Ladies’ Orchestra
https://doi.org/10.17077/etd.mgcx8ncr

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Saunders, Jessica Anne (2017), Songs of the Kalevala: art song inspired by the Finnish national epic
https://doi.org/10.17077/etd.kpdxcaad

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Schnack, Michael (2017), Jean Berger's staged choruses as a concurrence of biographical and artistic reinvention
https://doi.org/10.17077/etd.1yiszix1

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Son, Eunkyung (2017), A performance guide: new cello compositions by Serra Miyeun Hwang
https://doi.org/10.17077/etd.0cefn3fi

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Strohschein, Aura (2017), A performer's guide to Jody Nagel's "Concerto in B for piano and orchestra."
https://doi.org/10.17077/etd.2bs3g0oi

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Struve, Jonathon Paul (2017), Friedrich Hollaender and the art of writing songs for the cabaret
https://doi.org/10.17077/etd.zroi5p1j

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Wanken, Matthew David (2017), A 'Mity' life: the career of Miles H. Johnson
https://doi.org/10.17077/etd.01vgbkxl

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Wilson, Jonathan James (2017), Ghosts before breakfast for chamber ensemble and electronics and a history of the electronic music studios of the University of Iowa (1964-2017)
https://doi.org/10.17077/etd.tmtad9y9

Theses/Dissertations from 2016

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Allnatt Mallory, Leslie Jane (2016), The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
https://doi.org/10.17077/etd.hn8786p5

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Bailey, Brian Keith (2016), George Bristow's Mass in C for choir and orchestra (1885): critical edition and commentary
https://doi.org/10.17077/etd.nr8mk6uf

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Corley, Scott Randolph (2016), Thomas Lee Dvorak: a career as music educator and conductor
https://doi.org/10.17077/etd.c5wjs6gu

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Cuffman, Timothy James (2016), A practical introduction to just intonation through string quartet playing
https://doi.org/10.17077/etd.bvwmxy9h

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Eernisse, Elliot Adam (2016), Overcoming technical and musical challenges for the oboe using excerpts from orchestral and solo repertoire
https://doi.org/10.17077/etd.dgcwkot3

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Fenton-Miller, Solomon (2016), Compositional strategies in Alfred Schnittke’s early polystylism
https://doi.org/10.17077/etd.n8esur28

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Iogansen, Leonid (2016), Traces of wind (2015-2016) : for guzheng, orchestra and other soloists
https://doi.org/10.17077/etd.9xrxbw9w

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Lickiss Aleo, Angela (2016), The oboe and English horn works of Ross Edwards and his place in Australian music
https://doi.org/10.17077/etd.jhuw1ld3

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Liu, Wenjing (2016), Prokofiev's Tales of old grandmother, Op. 31: a performance and pedagogical guide
https://doi.org/10.17077/etd.7re3vla1

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Marquez, Joshua Tyler (2016), Aperture Assonance
https://doi.org/10.17077/etd.y2o34s12

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Meyer, Kati Marie (2016), Emotion in the music of Elton John
https://doi.org/10.17077/etd.rlkxsc7u

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Neher, Lisa Rose Julianna (2016), The chamber vocal works of Gabriela Lena Frank
https://doi.org/10.17077/etd.eocimpfj

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Platt, Kelsey Elyse (2016), Developing metacognitive and self-regulated learning skills through reflective writing prompts
https://doi.org/10.17077/etd.9m0bstjb

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Price-Brenner, Kevin (2016), Pedagogical transcriptions for teaching two advanced works for cello : Beethoven’s Sonata for cello and piano no. 3 in A major, op. 69 and Haydn’s Cello concerto no. 1 in C major, Hob.VIIb.1
https://doi.org/10.17077/etd.dj1ojoyo

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Prim, Shih-Ni (2016), Mahler in Utah : Maurice Abravanel and the Utah Symphony's performances and recordings of Gustav Mahler's symphonies (1951-1979)
https://doi.org/10.17077/etd.61utqk1k

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Rich, Erin Marie (2016), Accent patterns in text and music in the songs of Amy Beach, Richard Strauss, and Camille Saint-Saëns
https://doi.org/10.17077/etd.oz11wga7

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Rowles, Carl Thomas (2016), Ingolf Dahl’s Concerto for alto saxophone and wind orchestra: a revised edition
https://doi.org/10.17077/etd.sfdxxfx3

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Szabó, Zsolt (2016), Dr. Gusztáv Höna : his performance and pedagogical career and contributions to the development of the Hungarian trombone school
https://doi.org/10.17077/etd.dyg2njrn

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Veit, Andrew Gregory (2016), Developing a curriculum for the study of jazz vibraphone available through the online community, the vibesworkshop.com
https://doi.org/10.17077/etd.e27bimiw

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Wilhelm, Lindsey Anne (2016), Accessibility of music experiences for individuals with age-related hearing loss
https://doi.org/10.17077/etd.cskpu19x

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Yannavut, Wannapha (2016), An exploration of Thai traditional music for Western percussion instruments
https://doi.org/10.17077/etd.hrz2wnbk