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Theses/Dissertations from 2011

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Allen, Jonathan Sayre (2011), Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág
https://doi.org/10.17077/etd.iun1j4o0

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Aube, Meghan Georgina (2011), Women in percussion: the emergence of women as professional percussionists in the United States, 1930-present
https://doi.org/10.17077/etd.euymgk6o

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Chang, Liang-Fang (2011), The orchestral elements in Franz Schubert's Wanderer fantasy-with implications for piano performance
https://doi.org/10.17077/etd.iusqhily

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Dalla Vecchia, Francesco (2011), Key symbolism in Francesco Cavalli's arias
https://doi.org/10.17077/etd.we5v4zg8

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Donofrio, Anthony J. (2011), In violent silence
https://doi.org/10.17077/etd.bz4ijb93

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Dvorak, Abbey Lynn (2011), Music therapy support groups for cancer patients and caregivers
https://doi.org/10.17077/etd.3zbutejc

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Hanson-Dvoracek, Andrew (2011), Julius Eastman's 1980 residency at Northwestern University
https://doi.org/10.17077/etd.ldsf5wgi

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Jacobson, Marin Ruth Tollefson (2011), Stylistic development in the choral music of Rebecca Clarke
https://doi.org/10.17077/etd.gcc6ynxx

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Kam, Jikyung (2011), Analytical and pedagogical approach to the Sonatine for piano by Donald Martin Jenni
https://doi.org/10.17077/etd.bk4v96s0

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Kim, Minpyo (2011), The revival of a waning moon
https://doi.org/10.17077/etd.aphda9gr

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Kubus, Daniel Jacob (2011), A profile of Viennese society: an interpretative guide to Erich W. Korngold's second piano sonata and Artur Schnabel's sonata for piano
https://doi.org/10.17077/etd.u44cp9ct

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Maxfield, Lynn Milo (2011), Application of principles from motor-learning theory to the studio voice lesson: effects of feedback frequency on retention of classical singing technique
https://doi.org/10.17077/etd.b36h9rq8

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Miller, Robert Ward (2011), Darius Milhaud's La Création du Monde: the conductor's guide to performance
https://doi.org/10.17077/etd.pgpu2bpd

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Murakami, Kazuo (2011), Japanese piano sonatas: a discussion and performance guide
https://doi.org/10.17077/etd.tpcdeb4m

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Orduz, Ana Maria (2011), Integrating contemporary world music into our teaching: discussion on the pedagogical value and performance practice of seven commissioned pieces by four Colombian composers
https://doi.org/10.17077/etd.joohfway

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Page, Stephen Charles Jr. (2011), A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone
https://doi.org/10.17077/etd.bn6jjku1

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Ryabinin, Lev (2011), Facilitation of the learning and memorization processes of harmonically challenging piano works: Metopes, o29 by Karol Szymanowski
https://doi.org/10.17077/etd.s4m7d8o0

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Shaw, Laura Beth (2011), Wilhelm Bernhard Molique's Concerto for violoncello, op. 45: a historical and practical study
https://doi.org/10.17077/etd.pcq1oa38

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Shortway, Christopher Greg (2011), Set in motion
https://doi.org/10.17077/etd.66okf3h7

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Snydacker, Sarah Elizabeth (2011), The new American song: a catalog of published songs by 25 living American composers
https://doi.org/10.17077/etd.6qipo9g4

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Thompson, Joshua Ketring (2011), Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano
https://doi.org/10.17077/etd.jnxf5bry

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Turnbull, Amy Alizabeth (2011), Richard stoltzman: defying categorization
https://doi.org/10.17077/etd.2q5vekqm

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Warfield, Tara Diane (2011), A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier
https://doi.org/10.17077/etd.d4j7a58n

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Wiebe, Laura J. (2011), "Peopled with invisible presences": Oxford and the Tudor revival, ca. 1890-1939
https://doi.org/10.17077/etd.wjgjj4d9

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Williams, Jane Rochelle (2011), State classical solo contest repertoire lists: an exploratory study and comprehensive list of recommended intermediate alto saxophone compositions
https://doi.org/10.17077/etd.v7gzlwra

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Wilson, Jacqueline May (2011), The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: a performance guide
https://doi.org/10.17077/etd.3xrgytzj

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Wong, Yee Sik (2011), The art of accompanying classical ballet technique classes
https://doi.org/10.17077/etd.wygbzz36

Theses/Dissertations from 2010

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Accinno, Michael David (2010), "Organ Grinder's Swing": representations of street music in New York City, 1850-1937
https://doi.org/10.17077/etd.mf5i5azj

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Bowen Hustedt, Michele Ann (2010), The life and career of Himie Voxman
https://doi.org/10.17077/etd.1o9bu0rr

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Brueck, Julia Christine (2010), A study of Peter Christian Lutkin's philosophy of church music and its manifestation in the hymn tune transcriptions for organ (1908)
https://doi.org/10.17077/etd.8dpoavhz

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Crouch, Michelle Joy (2010), Training singers to be literate musicians: the integration of musical, linguistic, and technical skills in the private voice studio
https://doi.org/10.17077/etd.nuq4rn3j

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Culpepper, Sarah Elizabeth (2010), Musical time and information theory entropy
https://doi.org/10.17077/etd.xe2tdyvf

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Dotson, Matthew (2010), Erosion
https://doi.org/10.17077/etd.yslxpv24

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Fairfield, Sarah Mae (2010), Creative thinking in elementary general music: a survey of teachers' perceptions and practices
https://doi.org/10.17077/etd.c15zzw6b

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Fischer, Zachary David (2010), Renderings
https://doi.org/10.17077/etd.dgwmbkje

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Garza, Stevie Lynne (2010), Representations of African-American life In Alexander Zemlinsky's Sinfonsiche [sic] Gesänge, O20
https://doi.org/10.17077/etd.hvpi87gx

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Howard, Daniel Ross (2010), Elements of narrative in the masses of Loyset Compère
https://doi.org/10.17077/etd.tlrl6wgo

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Johnson, Kelley Marie (2010), Lucien Capet: comparisons and connections to contemporary violin bowing technique
https://doi.org/10.17077/etd.lmgw8q59

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Kiser, Fred Curtis (2010), A scholarly edition of Ignazio Donati's "Salmi boscarecci"
https://doi.org/10.17077/etd.t3plinvc

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Neuman, Israel (2010), Normal mode for chamber ensemble and electronics
https://doi.org/10.17077/etd.cigv48ed

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Omelchenko, Stas (2010), The seven seas
https://doi.org/10.17077/etd.i740di8w

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Phelps, Amy Louise (2010), Beyond auditions: gender discrimination in America's top orchestras
https://doi.org/10.17077/etd.7fk1gbzb

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Rúa, Olga María (2010), A historical overview of Carlos Seixas's works for solo keyboard and a performance guide based on analytical observations including pedagogical annotations and analysis of four of his keyboard pieces
https://doi.org/10.17077/etd.0c17jlyh

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Sandberg, Scott David (2010), James Houlik: life of a tenor saxophone specialist
https://doi.org/10.17077/etd.k6pdsj3o

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Starr, Jeremy Christian (2010), Performance edition of Franz von Suppé's Overture to Das Modell
https://doi.org/10.17077/etd.j58obdfy

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Thielen-Gaffey, Tina Louise (2010), David Fanshawe's African sanctus: one work for one world ~ through one music
https://doi.org/10.17077/etd.1n5xrw34

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Tsangari, Victoria (2010), An interactive software program to develop pianists' sight-reading ability
https://doi.org/10.17077/etd.nqub1mfn

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Vanderheyden, Joel Patrick (2010), Approaching the classical style: a resource for jazz saxophonists
https://doi.org/10.17077/etd.h3err34k

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Young Rennick, Elizabeth Ann (2010), Oboe reed-making pedagogy in the United States: a survey
https://doi.org/10.17077/etd.wddczux4

Theses/Dissertations from 2009

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Arsenyan, Hayk (2009), Performance guide to three keyboard sonatas of Antonio Soler
https://doi.org/10.17077/etd.oo0oxneu

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Beck, Kimberly Jean (2009), The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198
https://doi.org/10.17077/etd.x8fgsilk

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Bennett, Bryan Wendell (2009), Cootie Williams, Rex Stewart, and Ray Nance: Duke Ellington's trumpet soloists 1940-1942
https://doi.org/10.17077/etd.x0k53cv1

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Flores, Yasmin Angelique (2009), The clarinet works of Gustav Adolph Heinze
https://doi.org/10.17077/etd.2blbmc6t

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Gozdan-Bynum, Heather (2009), The clarinet works of Joseph Horovitz: An analysis of his compositional style
https://doi.org/10.17077/etd.jd6zbm7e

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Hansen, Jeremy Christian (2009), A creative pedagogical approach to Hindemith's music for horn and piano with thirty progressive etudes
https://doi.org/10.17077/etd.osu0-fzc6

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Kim, Eun Jew (2009), Inclusive music education in the Republic of Korea: policies and adaptive instruction for general educators of primary school students with disabilities
https://doi.org/10.17077/etd.6rhlkbwo

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Matson, Joseph R (2009), Johann Michael Vogl's alterations to Schubert's "Die schöne Müllerin"
https://doi.org/10.17077/etd.xsg0v6p1

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Parks, Regina Anne (2009), The saxophone music of Juan Orrego-Salas: a biography and performer's guide for four works
https://doi.org/10.17077/etd.ylv1mlz7

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Steddom, Charles Wesley (2009), Introduction to the choral music traditions of the Kachin people of northern Myanmar
https://doi.org/10.17077/etd.4pasau7m

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Taher, Cecilia (2009), Elasticity in three compositions with flute by Boris Blacher
https://doi.org/10.17077/etd.315epij6

Theses/Dissertations from 1991

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Phillips-Farley, Barbara C. (1991), A history of the Center for New Music at the University of Iowa, 1966-1991
https://doi.org/10.17077/etd.1n50l2z2

Theses/Dissertations from 1981

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Calmer, Charles Edward (1981), Philip Greeley Clapp: the early years (1888-1909)
https://doi.org/10.17077/etd.b4imrwm9

Theses/Dissertations from 1942

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Durham, Lowell M. (1942), The role and history of music in the Mormon church
https://doi.org/10.17077/etd.2ucfs2qj