Theses/Dissertations from 2012
Tauscheck, Jonathan Paul (2012), A performance guide to two fairy tales of Nickolai Medtner
https://doi.org/10.17077/etd.8ftfbgqh
Webb, Adam Michael (2012), Art songs for tenor : a pedagogical analysis of art songs for the tenor voice
https://doi.org/10.17077/etd.6d2pqcwd
Weber, Bryce Matthew (2012), Training the communicative recitalist: exercises inspired by Sanford Meisner's repetition exercise
https://doi.org/10.17077/etd.n1ntq8ub
Wildey, Sarah Anne (2012), Historical performance practice in cadenzas for Mozart's concerto for bassoon, K. 191 (186e)
https://doi.org/10.17077/etd.0y36p6xc
Yoo, Jin Ah (2012), J.S. Bach's great eighteen chorale preludes arranged according to difficulty
https://doi.org/10.17077/etd.vilcb9bt
Zubow, Zachariah Walter (2012), Mirage of the mountains
https://doi.org/10.17077/etd.0rrh8idg
Theses/Dissertations from 2011
Allen, Jonathan Sayre (2011), Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág
https://doi.org/10.17077/etd.iun1j4o0
Aube, Meghan Georgina (2011), Women in percussion: the emergence of women as professional percussionists in the United States, 1930-present
https://doi.org/10.17077/etd.euymgk6o
Chang, Liang-Fang (2011), The orchestral elements in Franz Schubert's Wanderer fantasy-with implications for piano performance
https://doi.org/10.17077/etd.iusqhily
Dalla Vecchia, Francesco (2011), Key symbolism in Francesco Cavalli's arias
https://doi.org/10.17077/etd.we5v4zg8
Donofrio, Anthony J. (2011), In violent silence
https://doi.org/10.17077/etd.bz4ijb93
Dvorak, Abbey Lynn (2011), Music therapy support groups for cancer patients and caregivers
https://doi.org/10.17077/etd.3zbutejc
Hanson-Dvoracek, Andrew (2011), Julius Eastman's 1980 residency at Northwestern University
https://doi.org/10.17077/etd.ldsf5wgi
Jacobson, Marin Ruth Tollefson (2011), Stylistic development in the choral music of Rebecca Clarke
https://doi.org/10.17077/etd.gcc6ynxx
Kam, Jikyung (2011), Analytical and pedagogical approach to the Sonatine for piano by Donald Martin Jenni
https://doi.org/10.17077/etd.bk4v96s0
Kim, Minpyo (2011), The revival of a waning moon
https://doi.org/10.17077/etd.aphda9gr
Kubus, Daniel Jacob (2011), A profile of Viennese society: an interpretative guide to Erich W. Korngold's second piano sonata and Artur Schnabel's sonata for piano
https://doi.org/10.17077/etd.u44cp9ct
Maxfield, Lynn Milo (2011), Application of principles from motor-learning theory to the studio voice lesson: effects of feedback frequency on retention of classical singing technique
https://doi.org/10.17077/etd.b36h9rq8
Miller, Robert Ward (2011), Darius Milhaud's La Création du Monde: the conductor's guide to performance
https://doi.org/10.17077/etd.pgpu2bpd
Murakami, Kazuo (2011), Japanese piano sonatas: a discussion and performance guide
https://doi.org/10.17077/etd.tpcdeb4m
Orduz, Ana Maria (2011), Integrating contemporary world music into our teaching: discussion on the pedagogical value and performance practice of seven commissioned pieces by four Colombian composers
https://doi.org/10.17077/etd.joohfway
Page, Stephen Charles Jr. (2011), A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone
https://doi.org/10.17077/etd.bn6jjku1
Ryabinin, Lev (2011), Facilitation of the learning and memorization processes of harmonically challenging piano works: Metopes, o29 by Karol Szymanowski
https://doi.org/10.17077/etd.s4m7d8o0
Shaw, Laura Beth (2011), Wilhelm Bernhard Molique's Concerto for violoncello, op. 45: a historical and practical study
https://doi.org/10.17077/etd.pcq1oa38
Shortway, Christopher Greg (2011), Set in motion
https://doi.org/10.17077/etd.66okf3h7
Snydacker, Sarah Elizabeth (2011), The new American song: a catalog of published songs by 25 living American composers
https://doi.org/10.17077/etd.6qipo9g4
Thompson, Joshua Ketring (2011), Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano
https://doi.org/10.17077/etd.jnxf5bry
Turnbull, Amy Alizabeth (2011), Richard stoltzman: defying categorization
https://doi.org/10.17077/etd.2q5vekqm
Warfield, Tara Diane (2011), A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier
https://doi.org/10.17077/etd.d4j7a58n
Wiebe, Laura J. (2011), "Peopled with invisible presences": Oxford and the Tudor revival, ca. 1890-1939
https://doi.org/10.17077/etd.wjgjj4d9
Williams, Jane Rochelle (2011), State classical solo contest repertoire lists: an exploratory study and comprehensive list of recommended intermediate alto saxophone compositions
https://doi.org/10.17077/etd.v7gzlwra
Wilson, Jacqueline May (2011), The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: a performance guide
https://doi.org/10.17077/etd.3xrgytzj
Wong, Yee Sik (2011), The art of accompanying classical ballet technique classes
https://doi.org/10.17077/etd.wygbzz36
Theses/Dissertations from 2010
Accinno, Michael David (2010), "Organ Grinder's Swing": representations of street music in New York City, 1850-1937
https://doi.org/10.17077/etd.mf5i5azj
Bowen Hustedt, Michele Ann (2010), The life and career of Himie Voxman
https://doi.org/10.17077/etd.1o9bu0rr
Brueck, Julia Christine (2010), A study of Peter Christian Lutkin's philosophy of church music and its manifestation in the hymn tune transcriptions for organ (1908)
https://doi.org/10.17077/etd.8dpoavhz
Crouch, Michelle Joy (2010), Training singers to be literate musicians: the integration of musical, linguistic, and technical skills in the private voice studio
https://doi.org/10.17077/etd.nuq4rn3j
Culpepper, Sarah Elizabeth (2010), Musical time and information theory entropy
https://doi.org/10.17077/etd.xe2tdyvf
Dotson, Matthew (2010), Erosion
https://doi.org/10.17077/etd.yslxpv24
Fairfield, Sarah Mae (2010), Creative thinking in elementary general music: a survey of teachers' perceptions and practices
https://doi.org/10.17077/etd.c15zzw6b
Fischer, Zachary David (2010), Renderings
https://doi.org/10.17077/etd.dgwmbkje
Garza, Stevie Lynne (2010), Representations of African-American life In Alexander Zemlinsky's Sinfonsiche [sic] Gesänge, O20
https://doi.org/10.17077/etd.hvpi87gx
Howard, Daniel Ross (2010), Elements of narrative in the masses of Loyset Compère
https://doi.org/10.17077/etd.tlrl6wgo
Johnson, Kelley Marie (2010), Lucien Capet: comparisons and connections to contemporary violin bowing technique
https://doi.org/10.17077/etd.lmgw8q59
Kiser, Fred Curtis (2010), A scholarly edition of Ignazio Donati's "Salmi boscarecci"
https://doi.org/10.17077/etd.t3plinvc
Neuman, Israel (2010), Normal mode for chamber ensemble and electronics
https://doi.org/10.17077/etd.cigv48ed
Omelchenko, Stas (2010), The seven seas
https://doi.org/10.17077/etd.i740di8w
Phelps, Amy Louise (2010), Beyond auditions: gender discrimination in America's top orchestras
https://doi.org/10.17077/etd.7fk1gbzb
Rúa, Olga María (2010), A historical overview of Carlos Seixas's works for solo keyboard and a performance guide based on analytical observations including pedagogical annotations and analysis of four of his keyboard pieces
https://doi.org/10.17077/etd.0c17jlyh
Sandberg, Scott David (2010), James Houlik: life of a tenor saxophone specialist
https://doi.org/10.17077/etd.k6pdsj3o
Starr, Jeremy Christian (2010), Performance edition of Franz von Suppé's Overture to Das Modell
https://doi.org/10.17077/etd.j58obdfy
Thielen-Gaffey, Tina Louise (2010), David Fanshawe's African sanctus: one work for one world ~ through one music
https://doi.org/10.17077/etd.1n5xrw34
Tsangari, Victoria (2010), An interactive software program to develop pianists' sight-reading ability
https://doi.org/10.17077/etd.nqub1mfn
Vanderheyden, Joel Patrick (2010), Approaching the classical style: a resource for jazz saxophonists
https://doi.org/10.17077/etd.h3err34k
Young Rennick, Elizabeth Ann (2010), Oboe reed-making pedagogy in the United States: a survey
https://doi.org/10.17077/etd.wddczux4
Theses/Dissertations from 2009
Arsenyan, Hayk (2009), Performance guide to three keyboard sonatas of Antonio Soler
https://doi.org/10.17077/etd.oo0oxneu
Beck, Kimberly Jean (2009), The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198
https://doi.org/10.17077/etd.x8fgsilk
Bennett, Bryan Wendell (2009), Cootie Williams, Rex Stewart, and Ray Nance: Duke Ellington's trumpet soloists 1940-1942
https://doi.org/10.17077/etd.x0k53cv1
Flores, Yasmin Angelique (2009), The clarinet works of Gustav Adolph Heinze
https://doi.org/10.17077/etd.2blbmc6t
Gozdan-Bynum, Heather (2009), The clarinet works of Joseph Horovitz: An analysis of his compositional style
https://doi.org/10.17077/etd.jd6zbm7e
Hansen, Jeremy Christian (2009), A creative pedagogical approach to Hindemith's music for horn and piano with thirty progressive etudes
https://doi.org/10.17077/etd.osu0-fzc6
Kim, Eun Jew (2009), Inclusive music education in the Republic of Korea: policies and adaptive instruction for general educators of primary school students with disabilities
https://doi.org/10.17077/etd.6rhlkbwo
Matson, Joseph R (2009), Johann Michael Vogl's alterations to Schubert's "Die schöne Müllerin"
https://doi.org/10.17077/etd.xsg0v6p1
Parks, Regina Anne (2009), The saxophone music of Juan Orrego-Salas: a biography and performer's guide for four works
https://doi.org/10.17077/etd.ylv1mlz7
Steddom, Charles Wesley (2009), Introduction to the choral music traditions of the Kachin people of northern Myanmar
https://doi.org/10.17077/etd.4pasau7m
Taher, Cecilia (2009), Elasticity in three compositions with flute by Boris Blacher
https://doi.org/10.17077/etd.315epij6
Theses/Dissertations from 2008
Kim, Kyung-Eun (2008), Jean-Baptiste Davaux and his symphonies concertantes
https://doi.org/10.17077/etd.r5lhoej0
Lichnovsky, Michael Wade (2008), Australian sonatas for alto saxophone and piano: new editions and performance guides for three works by major australian composers
https://doi.org/10.17077/etd.zqux3yml
Theses/Dissertations from 2005
Croskery, Virginia (2005), The Bel canto war : a critical and annotated translation of Vincenzo Manfredini's Regole armoniche, Part III (1797) with relevant essay
https://doi.org/10.17077/etd.dknddpou
Theses/Dissertations from 2004
Bellomy, Christine M. (2004), The clarinet chamber music of Phyllis Tate
https://doi.org/10.17077/etd.8wt8w9ut
Perkins, Boyd B. (2004), The documents, personal music collections, and artifacts contained in the Goldman Band Library at the University of Iowa
https://doi.org/10.17077/etd.vcpyfvfz
Theses/Dissertations from 2001
Jackson, Jenny L. (2001), Musical style as a representation of social milieu : the 1927 premieres of Ernst Krenek's Jonny spielt auf and Erich Wolfgang Korngold's Das Wunder der Heliane
https://doi.org/10.17077/etd.52m8a9i8
Theses/Dissertations from 1998
Snyders, Theresa Lynne (1998), History of the University of Iowa Opera Theater 1938-1998
https://doi.org/10.17077/etd.knb4tkzf
Vander Hart, Robert Jay (1998), A history of the Conservatory of Music at Central College (Pella, Iowa), 1900-1930
https://doi.org/10.17077/etd.tyk9heix
Theses/Dissertations from 1995
Mahr, Timothy Jon (1995), An annotated bibliography and performance commentary of the works for concert band and wind orchestra by composers awarded the Pulitzer Prize in music 1943-1992, and a list of their works for chamber wind ensemble
https://doi.org/10.17077/etd.i525gfwp
Theses/Dissertations from 1992
Hafar, Matthew Alan (1992), The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI
https://doi.org/10.17077/etd.o2yrfulp
Theses/Dissertations from 1991
Phillips-Farley, Barbara C. (1991), A history of the Center for New Music at the University of Iowa, 1966-1991
https://doi.org/10.17077/etd.1n50l2z2
Theses/Dissertations from 1987
Moon, Harry Edward (1987), Ralph Vaughan Williams' "A sea symphony" for soprano, baritone, chorus and orchestra: a conductor's study and performance
https://doi.org/10.17077/etd.xzwfd5wx
Rodde, James Frederick (1987), A performing edition of Litaniae de Venerabili Sacramento in B-flat of 1792
https://doi.org/10.17077/etd.3y2cqsuu
Theses/Dissertations from 1981
Calmer, Charles Edward (1981), Philip Greeley Clapp: the early years (1888-1909)
https://doi.org/10.17077/etd.b4imrwm9
Theses/Dissertations from 1976
Norden, James Clarence (1976), A comprehensive performance project in the performance of piano chamber music, with an essay on Franz Schubert's Sonata in D major for piano and violin, D.384, a text-critical study
https://doi.org/10.17077/etd.ur4g7uas
Willier, Stephen A. (1976), The Modi generali del canto : a translation and commentary
https://doi.org/10.17077/etd.o5fde9wi
Theses/Dissertations from 1964
Fling, Robert Michael (1964), Johann Philipp Kirnberger, Grundsätze des Generalbasses als erste Linien zur Composition (1781)
https://doi.org/10.17077/etd.427flww9
Theses/Dissertations from 1957
Anderson, Edison Holmes Sr. (1957), The historical development of music in the Negro secondary schools of Oklahoma and at Langston University
https://doi.org/10.17077/etd.mt1b6tog
Theses/Dissertations from 1956
Crane, Frederick Baron (1956), Athanasius Kircher, Musurgia Universalis (Rome, 1650) : the section on musical instruments
https://doi.org/10.17077/etd.yvcfxpgt
Theses/Dissertations from 1942
Durham, Lowell M. (1942), The role and history of music in the Mormon church
https://doi.org/10.17077/etd.2ucfs2qj
Theses/Dissertations from 1936
Barnes, Mary Musser (1936), An historical survey of the Salt Lake Tabernacle Choir of the Church of Jesus Christ of Latter-day Saints
https://doi.org/10.17077/etd.91h2n6f1